Performance

watching a performance and reading a story. The story will sometimes create more suspense, where the performance may leave some out. Depending on how you like to imagine stories you may like plays or stories better. I prefer reading a story and choosing my picture of the character and setting. A difference I discovered was the suspense level. The story can often create more suspense than watching a performance may. You can see this many times when there is waiting in a story, but the…

It was a cold and rainy Friday night, while I was driving to the theater, I felt excited and happy because I had not seen a live theater performance in quite a while. When I arrived in the parking lot of the theater, I noticed that it was almost full. This made me believe that people were interested in watching the play even though we did not have the best weather conditions. Luckily, I was able to get front row seat tickets to see the play The Glass Menagerie performs by PCPA. When I went…

play written and performed by Shawn Wright and directed by Thomas Morgan Jones. I attended the performance at Theater New Brunswick’s Open Space theater in Fredericton, New Brunswick on Friday November 25th 2016. The one-man show told the story of a boy native from Saint John, New Brunswick. That boy was in fact the actor himself, you were transported in his world through a heartfelt and authentic performance. The play as inspirational as it could be told the audience that it is important to be…

free throw. A free throw is a skill that is generally unaffected by environmental factors, such as opposition. This results in a stable and highly predictable environment throughout performance. These characteristics of a free throw describe a closed skill. The basketballer can assess the environment during performance, preventing the need to suddenly and unexpectedly alter movements; thus a more accurate shot can be achieved. Taking a free throw can also be described as a discrete skill as it…

Augusto Boal and Bertolt Brecht are two performance theorists who have two very different perspectives on theatre. Brecht used his experience of a Marxist to influence his idea of “epic theatre” to stir the will of action in its audience. Boal believed it to be detrimental for a play’s audience to have an emotional understanding of the characters and the effects the play have on said characters. I am curious about how the theories of Boal and Brecht apply to Tokyo Fish Story which was written by…

Performing theatre live, is the most exhilarating experience that I have ever had. When I am waiting to walk on stage for the first time, there are countless emotions running through me, but as soon as I take that first step into the light I am hit with a sense of overwhelming joy. During the past year of my life I have accomplished more than I ever expected. While studying at Gateshead College I have managed to improve my ability in all three disciplines. This has helped me both inside and…

relationship between analysis and performance stating that “as analysts use scores as avenues to the pieces they analyze, […] they can –and should, I would argue– refer to performances in order to get at the essence of the pieces they analyze.” He also believes that musical scores function as “a map of the piece” and “are not the piece itself.” Apart from this, he characteristically refers to performers as being “richer and more limited than scores” and to performances as being “necessarily only…

On February 26, 2016, I attended a performance by UA Dance entitled Color Wheel. It was held in the Stevie Eller Dance Theatre. Color Wheel was indeed a wheel: six different performances gave viewers a broad taste of what dance has to offer; from ballet to tap to jazz. The pieces performed were choreographed by a wide variety of choreographers, from Jerome Robbins, known for West Side Story, to James Clouser, professor at the University of Arizona. The performance provided a well-rounded view of…

notion as “emphatic imagination” (page 243), and writes that great actors can relate to almost any character despite given limited dialogue. I never thought about acting this way before, but I agree that empathy truly has to be associated with good performances. Every time we act on stage, we are relating to someone totally distinct from us, and therefore empathizing with somebody else. We always take a character’s world, circumstance, mental state, emotions, attitudes, suffering, neurosis,…

entire performance who was of the male gender. What does this mean, why is it special or uncanny for an entire ensemble to be made up of exclusively women? What does music do to change implications and assumptions on this matter? What are we expecting? This entire situation I found myself in seemed to be nothing more than a happy accident. KaeRenae Mitchell emailed me mid-semester to…