Dialectic

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    The culture industry argument, established by Theodor Adorno and Max Horkheimer, is a critique of mass media, which refers to the industrialization of culture, where the masses are not the only source of mass culture; capitalism serves the masses, and treats them like commodities for their own benefit (McAnany & Wilkinson, 1996). Adorno and Horkheimer chose to call it culture industry, rather than mass media, because they believed that in mass media, masses had some influence upon the creation…

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    1 CHAPTER 1INTRODUCTIONThe culture industry’s cycle of assumptions is the interaction between the director(culture industry), the author (hip hop artist), and the audience (White consumer). Together thethree combine to create ideological outcomes that reflect and reinforce historically negativeWhite racial attitudes. Interrogating all three aspects of the cycle assists in understanding thecomplexities of the culture industry’s racial representations and White racial attitudes as well…

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    Cultural References

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    The historical and cultural references in Max Horkheimer and Theodor Adorno's "The Culture Industry" and Walter Benjamin's "The Work of Art in the Age of Its Technological Reproducibility" are subtle but nonetheless fundamental. I began the research process by perusing through both writings to find references applicable to my papers. That is, I tried to find references that substantiated and bolstered the points I made in Midterm Paper 1. I found eight references that were suitable for further…

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    Question 1: In The Culture Industry: Enlightenment as mass deception, Adorno and Horkheimer are observing the culture industry. The culture industry is the entire system of production and circulation that establishes mass, mainstream, and popular culture. In this essay, the authors illustrate more precisely the relationship between culture industry and reality by explaining that “[r]eal life is becoming indistinguishable from the movies. The sound film, […], leaves no room for imagination or…

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    The culture industry itself is self-named, an industry primarily based on values of an assembly line. The culture industry continues the governing of human beings under the appearance of freedom, as the goal of the culture industry is to reproduce the values of capitalist culture by producing false pleasures. Similar to the movie, Bob Roberts, is a deceitful businessman but like many others, he projects an image of himself as being fair, reasonable and righteous. In the movie residents believe…

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    Life-Death Struggle in Hegel’s Dialectic Hegel’s dialectic of the life and death struggle elaborates on a social phenomenon commonly observed in communal life and throughout history. The life and death struggle is a fight for recognition experienced by individuals in a state of desire. In this state, self-consciousness becomes more aware of the external world and views the other as an object - an external reality. The complication here is that recognition, by nature, is reciprocal. Therefore,…

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    Having a scare tactic that happens in real-life is scary, but in person is even worse. I’ve experienced a scare tactic when my dad was having a heart attack. It was probably the scariest things I’ve ever been through. The thought of losing your dad, let alone any parent or relative, over something so serious is scary to think about, even to watch. My dad was having a weeks long heart attack and never realized it until it was last minute. I eventually rushed him to the closest hospital and met…

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    Soren Kierkegaard: Dialectic/Indirect Method He was born on5th May 1813, at Copenhagen, Denmark. Kierkegaard was a Danish theologian, philosopher, and social commentator. He was unfamiliar outside Denmark during his own lifetime. Kierkegaard grew up lonely and reserved but highly intelligent and well educated. He studied philosophy and theology at the University of Copenhagen from 1830, passing his final theological exam ten years later. He was much influenced by the thought of Hegel. He was a…

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    my career choices that have immersed me into diverse multi-cultural groups. I thought I got this, Wrong! (only two correct). Therefore, I must ask, am I not listening, is my hearing that bad, has my personal experience made me immune to hearing dialectic differences? The answer, I decided, is my hearing is not trained enough to decipher actual changes in pronunciation of words. One exception being the New England--Bostonian dialect with the dropped |r|. Additionally, the thoughts in Steel Town…

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    Barton Fink Analysis

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    Barton Fink (Ethan Coen 1991) demonstrates the separation of artists and artistic integrity when working in the Hollywood system, and implies the industry’s rigor towards giving entertainment and receiving capital. This disjunction becomes personified through the minds of Barton, a struggling writer, and Charlie Meadows, a mundane insurance salesman. Barton’s artistic integrity involves advocating for the common folk. Seeming as Charlie serves as a synecdoche for everyday people; he poses as a…

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