Pardo

paintings: Christ of St John of the Cross by Salvador Dalí, 1951. Oil on canvas, 205 cm × 116 cm (80.7 × 45.67") Kelvingrove Art Gallery and Museum, Glasgow, Scotland and Christ on the Cross by Diego Velazquez, 1631. Oil on canvas, 100 x 57 cm. Museo del Pardo. Madrid, Spain. Though similar in nature the two pieces have many different aspects and elements that makes both works of art stand out. There are many characteristics to both pieces of work. Christ of St. John of the Cross by Salvador…

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much authority…to talk to Santiago Nasar” suggests the townspeople believe one should stay in their class rank rather than deciding to move out of their “comfort” zone when it comes down to a life (reword later). The next townsperson is Indalecio Pardo, he is a close friend of Santiago, but when “[he] found Santiago Nasar being led by the arm of Cristo Bedoya… he didn’t dare warn him. ‘I lost my nerve,’ he told me” (102). The fact that Indalecio “lost [his] nerve,” implies ideas leading…

Marina, Malintzin, and Malinche are few of the names given to Hernán Cortes’ personal translator. She was a daughter to a father and mother to the Chiefs of a town called Paynala. When she was a little girl, her father died and her mother gave her away to some people of Xicalango. Then, they gave her away to people of Tabasco who would then end up giving her away to Cortes. She served not only as an interpreter but she also had a son of Cortes who they named Martin. To the Spanish, like Bernal…