Claude Lorrain

Baroque Art History Claude Lorrain: Renaissance or Baroque? Claude Lorrain was a painter born in Champagne, France in the early 1600s, and painted from 1630 until his death in 1682. (claudelorrain.org) Lorrain’s style cannot be defined as either strictly Renaissance or Baroque. (thesis.) The painting Villagers Dancing by Lorrain in 1638 is one example of this mixture of stylistic approach. From left to right, Lorrain painted goats in the foreground and trees in the background. The trees on this left side are dark, and a large contrast to the white, open sky that then opens up as one’s eyes move towards the middle of the painting. The sky in the middle is very bright with some…

28 April 2017 Landscape Paintings: An Analysis of the Works of Claude Lorraine and Dong Qichang Landscape paintings have been created throughout the history of art, especially being honored in the Western and Chinese art traditions. Within both cultures, landscapes have been viewed as sites of beauty, sanctuaries for nature’s treasures,…

of things divides us from each other. What if because of social division one is stopped from getting to know her true self? What if the people or the thing that was once looked down upon is exactly what is needed to see life in a different perspective? Mrs. Turpin in Flannery O’Connor’s short story “Revelation, is a prejudice and judgmental woman who spends most of her life prying on the lives of everyone around her. Mrs. Turpin judges people based on their social and economic class, and ethnic…

The art movement impressionism took place in the late 1860’s. Its characteristics is small, thin visible brushstrokes. The significance of impressionism is the perfect illustration of the effects of light. Impressionism was originated by a group of Paris based artist. As impressionism evolved it was faced with resistance from conventional art community in France. The name of the art style Impressionism came from the title of a Claude Monet painting, “Soleil Levant” (impressionism, Sunrise). The…

plainly see that the use of a single color in many shades and the lack of overt, or obvious, detail in some rooms was, in and of itself, a reference to the art of the Edo period and Ukiyo-e artists. While his gardens were their own floating worlds, the ponds and architecture suggests a way to move beyond our limited perspective and to be a place of quiet meditation. The bridge over the water garden quietly leads us to forget our troubles of this world and walk in elevation through a place of…

Artists Gustave Caillebotte and Clide Hassam are rewound painters who spent their careers depicting scenes of everyday life in various levels of impressionism. Combined, the two provide for an excellent comparison of how specific techniques used for their works elicit different emotions and interpretations. Specifically, Caillebotte’s Paris Street: Rainy Day and Hassam’s A Rainy Day of Fifth Avenue capture similar scenarios in roughly an analogous time frame, allowing viewers to focus strictly…

"Impressionism": The development picked up its name after the antagonistic French pundit Louis Leroy, investigating the main significant Impressionist show of 1874, seized on the title of Claude Monet's work of art Impression, Sunrise (1873), and blamed the gathering for painting only impressions. The Impressionists grasped the moniker; however, they additionally alluded to themselves as the "Independents," alluding to the subversive standards of the Société des Artistes Indépendants and the…

My aesthetic experience at the Museum of Fine Arts and the art work with the biggest emotional reflection on me was, “Dance at Bougival” by Pierre-Auguste Renoir (1883). This piece is often noted as “one of the museum’s most beloved works.” The open-air cafés of suburban Bougival, just outside of Paris, was a popular spot of recreational activities for city dwellers. The Impressionist painters would often visit these areas, seeking inspiration for their paintings. Renoir, utilizes fierce color…

influenced by which was the camera. “Art of art’s sake” was how they referred to the expression of art, let art be art and let the artist paint what he sees and is who he is. They began to understand light and color and even pigmentations of oil and other chemicals (1). Yet rather than painting scenes from insides they wanted to paint the world, as the world, outside in that moment in modern, contemporary life. These Impressions were heavily influenced by Japanese Woodprints that illustrated the…

Sonia Delaunay and her husband Robert were at the forefront of style and artistic innovation. It was popular at the time, and continues to be to this day, to create art that does not depict the true nature of reality. As the trends of art were in full swing towards cubism, which tended to utilize a more muted color palette, the Delaunay’s wanted to bring back color in their works while still depicting geometric forms. The new movement used to describe the works of the Delaunay’s was called…