Samuel Beckett

interactions with each other. It is possible to go beyond the simple viewing of the play to try to see the message that Becket is trying to communicate through his play and whether it is a play about being constrained or about how to end constraintment. Beckett made decisions about the writing of the play that signifies his ability to work…

Disgrace is a word in which everyone is familiar with, whether we see it through our own merits or the merits of others. Throughout J.M. Coetzee 's novel Disgrace we see the fall of a prestigious man, Dave Lurie, and how he copes with his own disgrace. The novel also gives us incite on his character and his perspective in which David sees everything around him involving the disgraces he was put through throughout the story as part of his own personal story. This statement could be elaborated…

The twentieth century can be considered a highway in which the writers produced or reproduced various ideas not only in science but also in humanities. Some writers gave a birth to new ideas while the others reproduced the old ideas or themes and decorated them in a new mold. The significant theme in the twentieth century, particularly after colonization, which is widespread in literature, history, and politics, is the theme of exile. Nevertheless, the theme of exile is never born in the…

John Arden started his professional literary career at the Royal Court under the direction of George Devine. Among his early work belong the plays The Waters of Babylon (1957), Live Like Pigs (1958) and probably his best-known play Sergeant Musgrave’s Dance (1959). Arden, today a highly praised and appreciated playwright, received mostly bad reviews at the time of his productions in the 1950s. Critics slammed his early plays because of their difficult themes and complex style. Here is what the…

Irish author, Charles Handy, once said, “Change is only another word for growth, another synonym for learning” (“Charles” 2017. Par 7). Handy attempted to convey that growth is prompted by change. This assertion is a lesson that I learned first hand when I moved from Tennessee to Michigan at the age of ten. The move pushed me into adolescence, and I transformed into an entirely different person that year. Later down the road when I saw myself headed down the wrong path because of my lack of…

Imagine a world where nobody lets you in, and you can’t feel connected despite your best efforts. This is what Holden Caulfield experiences in The Catcher in the Rye by J.D. Salinger. Holden can’t find or reach the connections he wants because the other people in his life won’t let him in, and Holden pushes people away when he doesn’t feel safe from himself and the outside world. Throughout the book, Holden feels depressed. This is the result of isolation and alienation affecting Holden by not…

In this paper I will discuss and go into great depth on Sarah Kane’s Blasted and Branden Jacobs-Jenkins An Octoroon and the postdramatic theatre elements that are represented in both of them. Muller’s statement in Steegmans, After Postdramatic Theatre refers to a crisis of drama, which consists of the apparent inability to convey the complexity of the modern world. It’s that the problems of the present exceeds the representational capacity of the situational dramatic art. When we look at…

The novel’s major conflict is Edna and her conflicting beliefs against society regarding what a woman’s role should be, and it is shown quite early in the novel. An example of such would be Edna’s defiance of Leonce’s orders and her decision to remain outside in the cold back at Grand Isle (35). Edna’s growing resistance to society, especially in this scene, demonstrates the fierce soul she possesses. Her realization of the fact that her husband does not control her seems to spark within her at…

The Pontifical Academy of Sciences, established in 1603 with Galileo as chair, is relocated to the City of London to provide a new education system to tackle the Square Mile’s lack of moral purpose. The Academy is a monochrome mass of libraries and ritualistic lecture spaces set in a landscape to induce physical and metaphysical wandering, meeting and reflection. Three environments are provided, inspired by the core natural elements of mountain for isolation and reflection, river for wandering…

Primacy meets the conventions set up by Martin Esslin about the theater of the absurd. The repetitive and meaningless dialogue, confusing situations along with unrealistic plots each of these present in the play represent the makeup that consist inside the absurd theater. There are also other multiple ways that make up this play as absurd. One aspect of the absurd is that the plays are only limited in their setting along with what they do, and so is Primacy, “All the plays are restricted in…