Cartoon Cartoons

The cartoon by Robert Ariail can be observed in numerous ways depending on what catches your attention when you first look at it. Looking at the cartoon, there are four people holding the American flag as they strive to place it into the ground while they are standing on the destruction of the scene, which can be seen as broken down buildings with smoke everywhere. There are many different things in this cartoon that your eyes will immediately first land on like the flag, the four people, the…

Cartoon Language Analysis The cartoon I have chosen to do is The Lifeguard. It was created by artist Mark Knight. Mark Knight published this cartoon in the Herald Sun on 22 January 2014. The issue explored in this cartoon is the lifeguard’s statement on the impact of the manufacturers that will not be rescued by the government. The artist contends to the audience that the cut down of carbon would benefit manufacturers to be considerable. Moreover, the cut down of carbon would help their…

Political cartoons during the late 19th century Gilded Age revealed, on a large scale, key issues at stake throughout the era. These drawings flourished in the 1860s due to advances in new technology of mass circulation and because people of all kinds; young, old, black, white, educated, illiterate could interpret the intense meaning from the artists. Cartoonists emerged by the names of Thomas Nast from Harper’s Weekly, Joseph Kepper of Puck, Frank Beard, Eugene Zimmerman, Grant Hamilton, etc.…

Spanish, German, and other nations who saw the process of events and intentions the United States were taking and following, had serious ridicule or opinion about such actions and intentions. Editorial Cartoons were, and still are today, a freedom of expression that shows not only…

Political cartoons were extremely popular in the Gilded Age of the United States (1865-1912). During this time, many people affected by the major monopoly industries of oil, railroad and steel believed that it should be considered illegal for it to continue. This led many cartoonists to create political cartoons that visually described their plight. All the cartoons of that time followed a specific format. They all consisted of a picture that used symbolism to represent the situation, and a few…

A striking example of this is cartoon from 1868, entitled “This is a white man's government"5 "We regard the Reconstruction Acts (so called) of Congress as usurpations, and unconstitutional, revolutionary, and void" - Democratic Platform” by Thomas Nast. It portrays an African American soldier being stepped on by three men who make up the majority of American society. There is the southerner with a belt buckle with a confederate emblem, a rich northerner with a 5th avenue pin, and an immigrant…

The author of the political cartoon I’ve chosen to analyze expresses their opinion of Trump through their representation of him. The author also uses the visual text to make greater social commentary on Trump and the implications he has on society. In the political cartoon there is the most obvious visual, which is the signifier, and the message it is sending, which is the signified. The signifier in…

teve Kelley 's cartoon depicts a current day Bill Clinton, who is up to his usual antics, and declaring that he will fight for his wife 's protection. This political, single frame cartoon is about how Bill Clinton hears about the scandals that his wife is undergoing and how he wants to help her out while he is in bed with another woman. However, when you remove the covers this image becomes much larger than that. At first glance the viewer notices Bill Clinton lying next to a woman with a…

the aftermath of the critical and commercial success of his graphic novel, as well as personal events that occurred after the publication of Book I (Spiegelman, 201). In the opening panels of Auschwitz: Time Flies, the perspective and portrayal of cartoon Art Spiegelman serve to emphasize Spiegelman’s guilty conscience induced by the success of his graphic novel Maus. Spiegelman’s depiction of himself in the opening panels of Auschwitz: Time Flies is the first indication of his inner turmoil…

In a September 2015 cartoon from The Columbus Dispatch, Nate Beeler addresses the issue of finding a new Speaker of the House after John Boehner’s recent resignation. The point of this cartoon is to display the difficulty of finding someone fit for this grueling job. Many of the House Republicans are in disarray, having forced out John Boehner, and now watching Kevin McCarthy, the expected successor to Boehner, retract his interest in the job. Beeler employs several strategies in order to…