Byron Howard

The theme of nature is portrayed heavily in Hawthorne’s The Scarlet Letter. Nature is used to show the freedom or/and exclusion in characters such as Hester, Dimmesdale, Chillingworth, and mostly Pearl as its symbols such as light/darkness, religion and the forest act upon them. This nineteenth century romantic novel portrays themes of Puritan religion that are contrasted profoundly with nature. Nathaniel Hawthorne uses the comparison of light and darkness to expose both the good and evil in…

In her novel Frankenstein, Mary Shelley repeatedly suggests—and eventually delivers upon—the imminence of doom based upon the protagonist’s unbridled ambition in order to warn of the gruesome consequences of hubris and ego. Victor Frankenstein, the title character and protagonist, seeked to discover the secret of creation, not to cure disease or to better the world, but instead, simply to gain fame and clout in the scientific community. Not only did Frankenstein aim to essentially “play God”…

In Mary Shelly's “Frankenstein”, the relationship between creator and created is scrutinized and put up to the test as Victor neglects his creation causing his rampage. Yet Victor himself is quite hypocritical when speaking on the malignancy of the monster, as in many cases he himself exemplifies many of the characteristics that the creature posses such as both seek the destruction of the others as well as the damnation layer upon both for the nefarious actions committed. However, they are still…

Tracing nature as a Romantic feature in Frankenstein Nature works as a restorative factor for both Frankenstein and the monster. We see throughout the novel how nature allows them to have a free uncontrolled emotional experience. Nature was their source of inspiration. They had reverence for nature. It made them feel that their souls are elevated. It gave them the opportunity to be renewed spiritually whenever they wanted to escape from the hardships of life. Nature helped those…

Introduction One of the vital challenges which mankind has always faced is alienation. The nineteenth century gothic novels, Mary Shelley’s Frankenstein (1818) and Emily Brontë’s Wuthering Heights (1845-46), artistically demonstrate the never ending cycle of being an outcast in society and share the common point in presenting the character’s sense of disjunction and alienation. Frankenstein is the petrifying account of a brute which was given life and fabricated by Victor Frankenstein and…

Mary Shelley’s Frankenstein is a literary classic that revolutionized the new genre of Science Fiction, as well as created a foundation and paved the way for many more iconic and exemplary stories to take place. Shelley wrote the novel in 1818, which was right in the midst of the Romantic movement in 19th century England. Due to this, Shelley’s writing style and narrative construction deemed Frankenstein as the pinnacle of Romantic literature. However, Shelley also heavily took inspiration from…

In Mary Shelley’s Frankenstein, the author incorporates the idea of the negative impact a lack of a parental figure has on the nurturing of the creature’s life. From the moment the creature became animated, he experienced feelings of isolation as even his own creator, Frankenstein, alienated him and left him to grow up as an outsider. For this reason, the creature’s knowledge and nurturing was learnt through experience and therefore lead him to a miserable and vengeful life. From his experience,…

problems, but Giacomo’s lover died from a “hidden illness.” It can be assumed that if Sylvia never died, she and Giacomo would have still been in a loving relationship because he planned for a fruitful future with her. The same cannot be said for Byron, because according to the poem, he had many faults that could have urged his wife to leave him. In the end, both men are left alone and still proclaim undying love. Neither of them can accept the reality that their lovers are gone. Also, in the…

transcended generations with its evolution of a literary archetype, whose charismatic and vicious personality captivates its audiences. During the nineteenth century, the romantic-gothic literary movement featured unconventional writers such as Lord Byron, Mary Shelly, and Emily Bronte, all of whom aided in the progression of what has become known as the Byronic hero. Though criticized for lacking moral integrity, the literary archetype of the Byronic hero has managed to evoke emotional…

The mere mention of the word death evokes fear, anxiety and restlessness. It preys on the young and old alike, the poor and rich, the strong and weak, the brave and the cowards. Because of its nature that remains to be a mystery, men and women have turned to poetry to vividly describe it, seeking to shed a glimpse of light on this “might foe” Such thoughts are captured in the two poems by John Donne, “Death, Be Not proud” and “The Tyger” by William Blake. For sure death is just a temporal state.…