The Yellow Wallpaper Essay

  • Yellow Wallpaper

    became. Although the room had many flaws the actual wallpaper inside was what disturbed her above everything else. Through actual analysis of the wallpaper a parallel could be drawn to Jane's life. Every aspect of the wallpaper bothered Jane. The actual color of the wallpaper drove her crazy. Jane said that "the color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight." The color yellow usually represents anxiety and maybe that was what made

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  • “The Yellow Wallpaper”

    he forces her to stay within this nursery, yet he is trying to help her get better from her post partum depression. The whole house, nursery room and all symbolizes the prison that she is forced to stay in. The next piece of symbolism in “The Yellow Wallpaper” would have to be windows in the story. The windows are the two of the main symbols in the narrative that plays a significant role in explaining the narrators and women in general’s situation especially in marriage. In the story the windows are

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  • The Yellow Wallpaper

    century this was not common. Just beginning to decipher this room, she goes on to say that there is a beautiful garden, only she has to look through barred windows to see it. Eventually, the narrator gets to the point where she takes notice of the wallpaper. Her first description of it says that it is: "dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide…destroy

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  • The Character of John in The Yellow Wallpaper

    accounted for as this first voyeuristic tendency, but there is a complex conflation of both mechanisms.      The bedroom is organized to allow for John's voyeurism and preoccupation with implicating the narrator in some transgression. "The Yellow Wallpaper" satisfies this somewhat sadistic desire for narrative--that is, the desire to witness some kind of transformation within the temporal framework of a story. Voyeurism, it seems, relies on the moment in which the subject is "caught" in the midst

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  • The Yellow Wallpaper by Charlotte Perkins

    The narrator obsesses over the pattern of the yellow wallpaper. “The color is hideous enough, and unreliable enough, and infuriating enough, but the pattern is torture” (Gilman). Besides hating everything about the wallpaper, she begins to see that a woman is walking around the room behind it, attempting to break free. The narrator begins to tear down pieces of the wallpaper to rescue the woman. Without the plot, the woman and her husband would have never moved away for the summer, the woman would

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  • The Fight for Sanity in The Yellow Wallpaper

    In the yellow wallpaper we see symbolized numerous things, but the most significant one is that the woman trapped within it represents the way the female narrator feels.  Those around here, particularly her husband/physicians, wish the narrator would do nothing but rest.  They fail to realize that by removing her active interest in anything but sleep and rest they are further deteriorating her condition because it drives her more insane to have nothing to experience, "He loves me very dearly, and

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  • Black Swan/ Yellow Wallpaper

    to California in order to overcome her depression on her own. Although Gilman’s attempt was successful, she claimed to suffer from post-traumatic stress from Weir Mitchell’s treatment for the rest of her life. In 1890, Gilman wrote “The Yellow Wallpaper” in an effort to save

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  • Isolation in “Yellow Wallpaper”

    to do. She did not question what to do and not to do, nor what was right and wrong. Her father was in complete control. By no longer having someone to guide her, his death caused tremendous change in Emily’s behavior. Jane’s situation in “Yellow Wallpaper” was similar. Jane moved to a new house with her husband while dealing with depression. John was her absolute everything. She rarely did anything without him and anything she needed, John was on task. However, shortly after their arrival, John’s

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  • Analysis of "The Yellow Wallpaper"

    (clitoris=small penis, womb=2 aborted balls). Scientific discourse created sex and indoctrinated the world against women´s capacity. If women were “aborted men”, this meant that they would never have the intellectual capacity of men either. In the Yellow Wallpaper, the man is a doctor because they had the capacity to define women. The protagonist is defined by her husband´s scientific

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  • The Yellow Wallpaper and the Chrysanthemums - Symbols of Entrapment

    Within the confinements of her ìprisonî, this once busy and bothersome pattern of the yellow wallpaper begins to straighten out. It becomes almost bar-like, and with the walls and the windows this ìsoothingî room turns into a reformatory from which she must abscond. Elisa must also break free, decomp from the boundary, the fence, that is enclosing her in the stationary, non-progressive life. She sees hope, a way to expand, through her joy, her love, her talent crysanthemums. By sharing her love

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  • Caught in the Yellow Wallpaper

    immediate dislike for the wallpaper and at first studies it with the eye of a critical interior decorator. The pattern fascinates her and she becomes increasingly obsessed with uncovering its secrets. Eventually it becomes the center of her life and her only concern. On the most basic level, it is apparent that anyone who becomes obsessed with wallpaper and believes it to hold a world that people inhabit is insane. Looking deeper into what the narrator reads into the wallpaper, we can understand her

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  • The Yellow Wallpaper. Point of view

    of their family nowadays. I believe the characters would also be plausible because the stereotypical husband character can be seen today as can a depressed new mother. 3. Over the course of the story, the narrator and the woman behind the wallpaper move closer and closer together. a) At which point in the story did you first begin to consider that the two may be one and the same? Over the course of the story we could tell that the narrator and the woman behind the wall paper moved closer

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  • The Narrator of The Yellow Wallpaper

    provides a sundry of different sights, sounds, feelings and stimuli to its inhabitants. To go without outside contact would be living against nature’s way for man. To fulfill her social need she invents a person she thinks she sees inside the wallpaper. “I didn’t realize for a long time what the thing was that dim sub pattern, but now I am quite sure it is a woman.” The vision of a woman is clearly an indication of the ill effects caused by prolonged isolation. Her hallucination becomes so vivid

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  • The Yellow Wallpaper, by Charlotte Perkins Gilman

    illustrates to readers the majestic summer home she is vacationing in while recovering from her “illness.” She is seemingly content with her environment aside from the wallpaper in the room she is residing in: This quote is important because it establishes the narrator’s repugnance, and eventual obsession towards the wallpaper. Throughout the entire story the narrator is seemingly becoming more and more delusional. This effect is heightened by the expressed anxiety of the narrator as she is

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  • The House in “the Yellow Wallpaper” Ambivalence or Brilliance?

    in which some gothic tales take place. Novels like Richard Matheson's Hell House, stories like Edgar Allan Poe’s “The Fall of the House of Usher” and Gilman’s “The Yellow Wallpaper” are just a few fine examples of the important role these eerie houses play in such tales. The horrific adversity of the protagonist in “The Yellow Wallpaper” does not start right when she is introduced into the rented abode. Actually, at first, the house was not scary at all. This was clear when she said: “The most beautiful

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  • The Oppression of Women Exposed in The Yellow Wallpaper

    By the end of the story, she is completely insane, but has in the process managed to shed her intellectual dependence on her husband.  In Charlotte Perkins Gilman's "The Yellow Wallpaper,"the narrator undergoes a transformation from a timid wife locked into a patriarchical society to a strong and independent, albeit mad, woman. As the story opens, the narrator is completely under her husband's control and has no developed personality of her own.  She seems concerned only with what "John says

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  • Girl Interrupted vs. the Yellow Wallpaper

    "The Yellow Wallpaper," I realized that Gilman also is a passive person. But I feel Gilman is passive for different reasons than Kaysen. In, "Interrupted," Kaysen goes along with what ever the doctors' think she should do. She does rebel at times but for the majority of the book, she remains compliant. Gilman on the other hand doesn't always respond positively to her physicians. Gilman is passive in this sense but aggressive as well because she acts on her own beliefs. Throughout, "The Yellow Wallpaper

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  • The Yellow Sickness: Charlotte Perkins Gilman’s “The Yellow Wallpaper”

    manner of excited fantasies.” (Schweibert 226) “I cry at nothing, and cry most of the time; and I am alone a good deal just now” (Schweibert 228). As Jane spends more and more time alone in her room her imagination leads her thoughts to the wallpaper. “There are things in that paper that nobody knows about but me, or ever will; it is like a woman stooping down and creeping behind the pattern”( Schweibert 230) Jane’s imagination begins to see the woman creeping across the lawn, down the path,

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  • Comparing and Contrasting The Lottery and The Yellow Wallpaper

    The villagers felt sorry for Mr. Summers because he h no other family member. The women in this story pretty much had low work ethic as described by the author. Here, the same theme subordination of women in terms of marriage applies in “The Yellow Wallpaper”. John, husband of the narrator is the head of household and he decides what is going to be done. This made the narrator to have no say in even her smallest details of her life, and she retreats into her obsessive fantasy, the only place she

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  • The Yellow Wallpaper by Charlotte Perkins Gilman

    her the rest cure in which Gilman was directed to “lives as domestic a life as far as possible,” to “have but two hours’ intellectual life a day,” and to “never Fellows 2 touch pen, brush or pencil as long as [she] lived” (Why I Wrote “The Yellow Wallpaper”). She followed the rest cure diligently for a number of months without satisfactory results before deciding to abandon it. She later decided that her marriage was not helping her mental health and she left her husband to go live in California

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  • Charlotte Perkins Gilman's The Yellow Wallpaper

    equal today, anyone locked up and isolated away from everything would eventually lose their mind. Psychologically, a person being controlled and not being able to make their own decisions will eventually lose their own state of mind. “The Yellow Wallpaper” “is a tale of mental breakdown” (Suess). Jane’s husband has her under many restrictions and does not once listen to what she has to say about her own health. Jane says in Gilman’s story, “PERHAPS that is one reason I do not get well faster”

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  • Comparison Between What the Tapster Saw and the Yellow Wallpaper

    short stories, which lead to self-imposed insanity and inner evaluations of surrounding situations, have an effect on Jane and the tapster. In “The Yellow Wallpaper” the wife spends the entire day inside, which leaves her to be drawn to the almost toxic room. At one point she took the keys to the room and locked the door so she can take the wallpaper down and free the woman she believes she can see. In this situation the husband gets the keys to the room and saw what his wife had done and fainted

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  • Different possible themes in The Yellow Wallpaper.

    After a while of trying to put a meaning to the wallpaper she sees the outline of a woman behind the bars on the paper like prison bars; it takes her a while but she figures out that the lady in the wall is her. She starts to feel trapped and begins to fall deeper into insanity. Jane relieves herself by ripping down the wallpaper. She is relieved because she feels that now she is free from confinement. Another possible theme is being confined to a certain area for long periods of time can

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  • Male Dominance in Charlotte Perkins Gilman's The Yellow Wallpaper

    published in 1892, May places The Yellow Wallpaper in a category that includes such twentieth century formalists as Hemingway, Faulkner, and Welty, all of whose stories examine the humanness of the mind-its fallibility, its capriciousness-situated within respectively distinctive societies and situations. Like Eudora Welty, who, in her mythical short fiction, can "squeeze meaning from the most trivial realistic details," (70) Gilman employs ordinary things, like the wallpaper, and ordinary places, like

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  • Madness and Insanity in A Rose For Emily And The Yellow Wallpaper

    door closed upon the last one and remained closed for good” (p. 507, 508). On the contrary, the narrator of “The Yellow Wallpaper” retreats into her own mind and the world of the yellow wallpaper, which gradually takes over her life until she can think of nothing else. Both women, however, create a fantasy life in which they truly live, Emily as Homer Barron’s wife, Ms. Yellow Wallpaper as the woman who would “always lock the door when I creep by daylight” (p. 639). In these

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  • Symbols and Symbolism in The Yellow Wallpaper and A Rose for Emily

    Westcamp believes that "because the narrator already had mental problems, the color yellow drove her further into insanity" ("Smouldering"). The paper becomes a barrier that the narrator must tear down to survive. It haunts her, and she eventually becomes physically restrained by the "hideous" color and hypnotic pattern of the wallpaper (Kivo 21). In the end, Westcamp discovers that "the psychological effects of the color yellow contribute to the emotional degeneration of the narrator" ("Smouldering").

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  • Hysteria's Affects in ‘The Yellow Wallpaper’ by Charlotte Perkins Gilman

    the house becomes large, filled with long corridors; no where to hide for the beasties. This shows a contrast between day and night. By day, it shows serenity, but by night, it amplifies fear. This helps when answering our question; “does 'The Yellow Wallpaper' fit in the gothic genre?” as contrasting is very popular within the gothic tradition. Further into the novel, when the protagonist begins to explain her surroundings into the further detail, the quote, “I lie here on this great immovable

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  • Comparison and Contrast of the Yellow Wallpaper and the Rose for Emily

    The narrator in “The Yellow Wallpaper” also suffers from the inability to handle her reality. She cannot accept the reality of being controlled and confined by men. Her husband and her brother are both physician. It author Perkins Gilman suffered through postpartum Depression and was also treated. In “The Yellow Wallpaper” the woman is nameless. She feels as if she has no identity or control over her life, hindering her capacity for true expression of self. When the narrators become excited and hysterical

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  • The Impact of Family Relationships in “the Story of an Hour” & “the Yellow Wallpaper”

    provided in the short story there was no hint or confirmation that she had this condition since her childhood, so objectively speaking, assumptions could be made such as Mrs. Mallard developing the illness over the course of her marriage. In “Yellow Wallpaper”, the narrator is mentally ill and with the advice of her husband, a physician advises her that nothing is wrong, according to the this quote “…you see, he does not believe I am sick…if a physician of high standing and one’s own husband assures

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  • Society’s Treatment of Women Revealed in The Yellow Wallpaper

    friends and relatives that there is really nothing the matter with one but temporary nervous depression, a slight hysterical tendency - what is one to do? (246)   The narrator is possessed by her husband. She is kept in a cage; in her torrid yellow prison with barred windows, barred walls. Her husband spends more and more time in town, seemingly ignoring the concerns and condition of his wife; as if by ignoring it, it does not exist. The home as a place of comfort does not exist for the narrator;

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