Lord Byron

Tracing nature as a Romantic feature in Frankenstein Nature works as a restorative factor for both Frankenstein and the monster. We see throughout the novel how nature allows them to have a free uncontrolled emotional experience. Nature was their source of inspiration. They had reverence for nature. It made them feel that their souls are elevated. It gave them the opportunity to be renewed spiritually whenever they wanted to escape from the hardships of life. Nature helped those…

Introduction One of the vital challenges which mankind has always faced is alienation. The nineteenth century gothic novels, Mary Shelley’s Frankenstein (1818) and Emily Brontë’s Wuthering Heights (1845-46), artistically demonstrate the never ending cycle of being an outcast in society and share the common point in presenting the character’s sense of disjunction and alienation. Frankenstein is the petrifying account of a brute which was given life and fabricated by Victor Frankenstein and…

Mary Shelley’s Frankenstein is a literary classic that revolutionized the new genre of Science Fiction, as well as created a foundation and paved the way for many more iconic and exemplary stories to take place. Shelley wrote the novel in 1818, which was right in the midst of the Romantic movement in 19th century England. Due to this, Shelley’s writing style and narrative construction deemed Frankenstein as the pinnacle of Romantic literature. However, Shelley also heavily took inspiration from…

In Mary Shelley’s Frankenstein, the author incorporates the idea of the negative impact a lack of a parental figure has on the nurturing of the creature’s life. From the moment the creature became animated, he experienced feelings of isolation as even his own creator, Frankenstein, alienated him and left him to grow up as an outsider. For this reason, the creature’s knowledge and nurturing was learnt through experience and therefore lead him to a miserable and vengeful life. From his experience,…

The mere mention of the word death evokes fear, anxiety and restlessness. It preys on the young and old alike, the poor and rich, the strong and weak, the brave and the cowards. Because of its nature that remains to be a mystery, men and women have turned to poetry to vividly describe it, seeking to shed a glimpse of light on this “might foe” Such thoughts are captured in the two poems by John Donne, “Death, Be Not proud” and “The Tyger” by William Blake. For sure death is just a temporal state.…

The Daffodils Romanticism extended between (1789-1820 and was affected by the French revolution, Napoleonic wars and the pan European movement across every art. People were split between those who wanted to search the powers and fear of an inner imaginative life and those who thought that living a romantic life is a form of dangerous self- indulgence those who believed in escaping to nature and those who wanted for poets to act such prophet and legislators and reform society . The period…

Mary Wollencroft Shelley lived from 1797-1851 and for that reason wrote in the course of the flowering romantic technology of literature. Shelly is a made from her times, her paintings reflecting key factors of romantic writing. as an example, romantic literature is regularly set in unusual and exquisite places, and Shelley sets her novels in such locations. Shelly also employs elements of Gothicism, specializing in death and the macabre. one novel, Frankenstein, or the contemporary Prometheus,…

In the frame narrative, Frankenstein, an aspiring scientist, Victor frankenstein, creates life out of death, but this life turns out being an abhorred creature, nothing like the creators intentions. Through many trials, the humanity of Victor is questionable and the creature’s knowledge of how to be human grows exponentially. A human can be distinguished by their need for affiliation, desire to be accepted, and compassion. Throughout the story of Frankenstein, the creature displays more…

Akshat Seth Prof. Alok Bhalla Romanticism Of Diatribes, Revolution and Pacifism Reflections on the reconcilability of Shelley’s ideas of radical change and pacifism through a look at his first long poem Queen Mab with respect to the socio-political context of the French Revolution and its aftermath. It is somewhat ironic to state that Shelley, ‘the true child of the revolution’1 was also a pacifist. Ironic, since the very French Revolution which is cited by most as one…

Rhetorical Analysis of Truman Capote’s “Nancy’s Bedroom” In the passage, “Nancy’s Bedroom” from the novel, In Cold Blood, the author, Truman Capote, creates a vivid description of Nancy’s bedroom to help the reader connect with Nancy. Capote portrays a descriptive view of her bedroom to convey her personality. He uses many rhetorical strategies to create a feeling of sorrow and reveals the femininity and innocence of young Nancy Clutter. He uses figurative language throughout the passage to…