Hokusai

In this essay, I am going to talk about the Impressionist painting Bridge Over a Pond of Water Lilies of Claude Monet and the ukiyo-e print Under Mannen Bridge at Fukagawa of Katsushika Hokusai. Through making comparison of these two artworks, I will mainly describe the stylistic difference and study some differences between Western and Eastern art and society. First of all, I am going to talk about the background information of Bridge Over a Pond of Water Lilies. This artwork represents the…

Japanese Edo Period Art The Edo period had a lot of importance & impact on Japan as it helped flourish its culture by cutting off the west and isolating itself, with the help of many Schools of Japan learning new techniques in art which would become the norm for today. A lot of the impact was on the social classes, as artists started to become noticed, and recognised for the art they created. The points to discuss will be on ‘who’ to talk about. First, I’ll look at Hoitsu & Buncho from Edo as…

Theme 1. Religion, Philosophy, Politics and Power Terracotta warriors from the mausoleum of the first Qin emperor of China Qin Shihuang, c. 221-206 B.C.E., Qin Dynasty, painted terracotta, Terracotta Warriors and Horses Museum, Shaanxi, China The terracotta warriors belong to a burial complex created for the First Emperor of the Qin Dynasty, Emperor Qin Huangdi. Qin Huangdi started building his burial complex at the age of 13, which is when he became emperor. He rose to power during the…

The Great Wave off Kanagawa, also known as The Great Wave or simply The Wave, is a woodblock print by the Japanese artist Hokusai. It was published sometime between 1830 and 1833 in the Edo period as the first print in Hokusai's series 36 Views of Mount Fuji. It is Hokusai's most famous work, and one of the most recognizable works of Japanese art in the world. The image is essentially, a massive wave threatening boats off the coast of Kanagawa. While sometimes assumed to be a tsunami, the wave…

Impressionism began in the late 19th century when Impressionist wanted to capture fleeting moments and scenes from what they had experienced and were influenced by which was the camera. “Art of art’s sake” was how they referred to the expression of art, let art be art and let the artist paint what he sees and is who he is. They began to understand light and color and even pigmentations of oil and other chemicals (1). Yet rather than painting scenes from insides they wanted to paint the world, as…

This Research Paper will cover a full semiotic analysis of the Jeffrey Wall photograph 
called "A Sudden Gust Of Wind".
In the landscape photograph, you'll see that there are two casual dressed men and two people that seem to be one female and a male that look like they aren't farmers but maybe wealthy businessmen? The four men in the photograph are disorientated and in a slight panic. This is all caused by a "Sudden Gust Of Wind".
All kinds of paper are swirling and flying away while the…

Roy Lichtenstein’s 1963 painting “Drowning Girl” is an appropriated image from the 1962 DC comic book, Secret Hearts #83, drawn by Tony Abruzzo. It also incorporates elements of the well-known Hokusai print “The Great Wave off Kanagawa”. In keeping with pop art tenets, Lichtenstein borrows from pop culture while removing it from context in order to make his statement. Initial criticisms accused Lichtenstein of merely copying and not creating. But Lichtenstein made conscious choices about the…

Multicultural perspectives in art pertains to an educational approach that celebrates the multiple heritages of artists and art students. By understanding the cultural context behind the creation of iconic works of art, we can move towards a more authentic understanding of the aesthetic traditions behind the creation of a work of art. It is through this educational approach that the work of Claude Monet is best viewed. Claude Monet is undoubtedly one of the most familiar and best loved of all…

When Claude Debussy composed his piece, La Mer (Movement II, Play of the Waves) between 1903 and 1905, he found inspiration in Katsushika Hokusai’s artwork, The Great Wave off Kanagawa. Because the song is based off of artwork, one with expect for it to be programmatic, and it meets those expectations. The title, La Mer, is customary for absolute music because it is telling of the idea that will be produced in the music. The music then follows through with the title by audibly depicting the sea…

It is an appropriation of “The Great Wave at Kanagawa” by Katsushika Hokusai to which he added a dingo surfing a stingray on top of the wave in order to express his views on stereotyping and…