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    foolish claim that “hip-hop has done more damage to young African-Americans than racism in recent years.” Even the album cover, featuring Kendrick and other shirtless black males posing in front of the White House while a white male holding a gavel is laying down with his eyes crossed out, raises an eyebrow or two. Kendrick employs TPAB to publicize institutional racism and inequality while pondering his role in perpetuating the negative stereotypes that are so common in hip-hop music. The…

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    The Oversexualization and Objectification of Black Women She’s angry, she’s mean, she has an attitude, she’s loud, she’s ghetto, she’s exotic, she’s a jezebel. These some of the many attributes and the stereotypes of black women that are given to them from misrepresentation in the mainstream media. Not only are these labels incorrect, they can be harmful to black women everywhere; they perpetuate this idea that if one falls into a stereotype about the community in which they belong, it makes…

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    and known than their male counterparts in this industry merely because hip hop culture is stereotypically masculinized due to its powerful and tough messages its music sends, qualities that women, especially black women, are denied in white patriarchal society. This has made it necessary for female hip hop artists like Lady Leshurr, Beyonce, and Nicki Minaj to work extra hard in their pursuits to become respected within the hip hop industry. It was women like Cindy Campbell who helped evolve the…

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    Miley Cyrus Stereotypes

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    The singer has started to suggest drug use, has become more promiscuous or seen as such since her involvement with hip hop, and has started taken on twerking, a dance originating in African American communities."To defend her actions, she uses statements like she knew she was "always black" (Institutionalized Racism in the Music Industry). This speaks volumes as to…

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    out how to rap better, then read this now. You will learn to rap so you can impress your friends and win rap battles. Step #1: Use the 1-2-3-4 formula If you want to learn how to rap, then always follow the 1-2-3-4 phase formula. You can turn every hip hop song into a 4 step beat formula. Every time there is an emphasis in the rap, that is one of the 4 numbers. An easy way to use this formula is to use your hand and move from left to right every phase. That will make it easier when to make…

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    world is second to none. To put Drake’s almost untouchable position and widespread influence on the hip-hop world into perspective, even allegations having a ghostwriter, someone who secretly writes for another person, did not damage his career or diminish the opinions of fans. Considering the fact that Drake, who is so deeply introspective and fully in touch with his emotions, has the entire hip-hop game in the palm of his hands…

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    (A Word from Propaganda)” clearly challenges male celebrities to present more positive examples for young men to follow than the current amoral behavior which plagues the headlines and hip hop music. The men of tomorrow need role models who support responsibility, maturity and respecting women. Becoming a man with maturity and respect is accomplished by resisting immature behavior. Propaganda relates a line from scripture when he stated…

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    Hip hop has been vital in promoting social and political awareness among the youth of today. Rap music educates people from several different perspectives and raises many social issues. Rap is channel for people to speak freely about their view on political…

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    The Fader, which was created in 1999, is a magazine built mostly on today’s hip-hop culture. A lot of there articles are based on music, but they also cover things such as fashion and events. They are reaching for a younger audience by using famous artists that teenagers listen to. They also use bright vibrant colors on their front page to try and get you to notice their magazine out of all the others on the shelf. Fader is all about this generations music and the lifestyle that surrounds it. In…

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    “Rap is something you do; Hip-Hop is something you live.” Words spoke by one of Hip-Hop culture’s philosophers and celebrated artists, KRS-One nearing the end of what is considered the genre’s golden age of its creativity and influence in the mid-1990s. For some, the statement is self-explanatory and almost reverent in it pronouncement. For others on the outer periphery of rap music and its associated culture, the delineation between the two may be murky. Nonetheless, the statement has much to…

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