Falstaff

Falstaff addresses the prisoner who will likely die in battle by saying “Tut, tut, good enough to toss; food for powder, / food for powder. They’ll fit a pit as well as/ better. Tush, man, mortal men, mortal men” (4. 2. 66V68). He has no sympathy…

responsibilities and become King. The theatrical metaphor of the play within the play dialogue between Hal and Falstaff, “wherein is one’s worth for nothing?” is a rapid series of rhetorical questions with repetition of “wherein”. The techniques coupled are intentionally utilised to demonstrate Hal’s complex political motivations and perspective, foreshadowing his banishment of Falstaff in the future. Through this, the audience are positioned to perceive politics as one of strategy and…

the throne (respect for social class order). This strict correspondence to the class structure also causes a dilemma when Hal brings Falstaff to court with him. Although Falstaff is now a lowly highway robber, his family background and title allow him to be accepted into court (importance of the social classes). In the meeting with King Henry IV and Hotspur, Falstaff makes a blunt sarcastic remark criticizing the professional way in which these meetings are conducted at court, as he is used to…

One of William Shakespeare’s great stories was called Henry IV, Part One. William Shakespeare was an amazing writer. This play was written sometime in 1598 (Gill xxxi). Roma Gill in Henry IV, Part One states that the play was first published as “The History of Henrie the Fourth” in 1598 (xxxi). The name was then changed to Henry IV, Part One after the sequel was made. This story was assumed to be written in Stratford-Upon (Love). There are a numerous amount of characters in Henry IV, Part One,…

For some years now, the Czech Republic has had its Gordon-Ramsay-format cooking show. This is to say a commercial channel is as daring as to air a famous cook's unprintable words after ten o'clock in order to gain popularity with the hoi polloi. In the summer there always comes the time when the actors want to get their time off and the TV stations have to tighten their belts and screen reprises of their best shows. In one of such episodes, the Czech Gordon Ramsay was brave enough to visit an…

that we can pin to our lapel, nor a stole to be drape around our necks, it is much more important than that. In Shakespeare’s Henry IV, Just before battle Henry’s friend Falstaff mocked the pursuit of honor. “What is honor? A word. What is in that word “honor”? What is that “honor”? Air.” Through this brief catechism, Falstaff explained that honor is merely a word, with no significant value, and I strongly disagree. Honor is something that you carry within, can only be attained through hard…

the king does incognito in a cloak to interact with the everyman of his army. This is in order to gauge feelings about the war and of the king himself. Luckily, Henry has experience in the realm of being a commoner, from his days of debauchery with Falstaff and the rest of the tavern crowd when he was Prince Harry. However, these days are long gone and, while he can still pretend to be a normal Englishman, it's apparent that his connection with them is estranged. When Henry goes undercover, he…

One example of this in Henry IV, Part 1 is when Falstaff tries to get Prince Henry and Poins to rob someone with him, and instead of helping him, they decide to prank them by robbing him once he has robbed the travelers. They begin planning their prank when Prince Henry states, “Ay, but ‘tis like that…

Otello (1887) and Falstaff (1893) continued to show new developments in conveying drama and emotion. When Gioachino Rossinii died, he proposed to compose the requiem mass in his honour ( Kerman J. 2016) As he aged, his works became increasingly unconventional. The division between aria and recitative passages blurred and overall there was a greater continuity in the music. The orchestration became more imaginative, and accompaniments were richer. His final work, the comic Falstaff, presents this…

Shakespeare’s Henry IV part I follows the transformation of numerous characters. The King of Wales son, Prince Hal, is seen going through one of the most apparent transformations, a form of self redemption. Initially, Hal is introduced as a thief, associating with the gutter of Wales. He completely disregards any responsibility given to him by his father which provides as a huge disappointment to the King. Eventually it seems as if Hal’s bitterness towards his fathers admiration for Hotspur, a…