Courtly love

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    Love does not need conceits to be true. Both sonnets are written by William Shakespeare. They were written on the year 1609. In many of his works the theme love seems to his favourite. “Courtly Love” In Sonnet 18, the writer describes how the person he is talking to is more temperate and fair than the beauty he sees in nature. And often is his gold complexion dimm’d; And every fair from fair sometime declines, The writer concludes that the beauty of the person he’s talking to is not so…

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    traditions not just to give his characters beautiful poetry to recite but also to explore popular concepts; often this exploration used humour and satire to explore Elizabethan ideas. In Midsummer Night’s Dream Shakespeare explores the themes of courtly love and pastoral romance once again (see As You Like It) and with more comic effect. As a dramatist Shakespeare chose his stories from diverse sources, and then fitted it into the Elizabethan English stage. His main aim was…

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    Courtly love and marriage in the medieval time period were often two contradicting forces. Whether courtly love or marriage was viewed as right or wrong always depended on the situation the lovers were in, or the person telling the lover’s tale. Marie de France paints these two opposite views in two of her lays— the “Lay of Yonec”, and the “Lay of the Werewolf.” She also shows readers how the two opposite views on courtly love are sparked due to varying situations. Courtly love is seen in some…

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    of true love as opposed to courtly love in everyday life. At the time this play was written, many people still practiced the customs of courtly love and arranged marriages as a way of life. However, Romeo and Juliet had become a monumentally influential story which supports the argument that choosing your life partner based on true love was an idea that people of Shakespeare's time were ready for. Although this play shows that true love is superior to courtly love, it also proves that love can…

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    2. How does medieval literature present the experience of romantic love? The romances of medieval literature are often very different from what a modern audience would expect from a ‘romance’ in the twenty first century. However, our modern conception of romance, and indeed ‘chivalry’, owe a lot to their medieval precursors. From the middle ages, the concept of courtly love, described by the Encyclopaedia Britannica as a “highly conventionalised code the prescribed the behaviour of ladies…

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    dominant poetic movements of the time: the courtly love tradition, conveyed in the songs of the troubadours, and the historical Matter of Britain, best represented in Chretien de Troyes’ roman courtois” (The Queen of the Troubadours). Arthurian romance and courtly romance had a lot in common but they were also very different in many aspects. Both types of romances focus largely on chivalric love and the notion of the woman of whom the knight or troubadour loves as being the most important…

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    Anne Malory's Courtly Love

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    appears in her presentation as both mysterious and involved in the courtly love tradition. Malory’s work showed an English preference to steep the queen’s sexuality in mystery when he removed Guinevere’s explicit scenes from Le Morte D’Arthur and Vives’ aimed to erase women from society after the loss of virginity. Mystery implied innocence through ignorance, while the courtly love tradition acknowledged sex as the end goal of a Courtly flirtation. Capellanus’ argument that the key to courtship…

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    stories that are false more and more as years pass. Myth storytellers both past and present, on the other hand have assumed reality is to complex to grasp, so they have begun to rely on stories to provide at least a glimpse on complexity. Folklore, Courtly, and bourgeois are all closely related in the mythic world. All three originate in ancient myths. Each one of them have changed over the years to fit certain generations. Mythic story tellers have told stories for years, like the Trojan…

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    that while women in romances of the Middle Ages had some sort of power through Courtly Love, the power did not transfer into reality. While there is no correlation between the power in the stories and the power of real women, there are still moments of courtly love in romances where women have power over men. The story of Lancelot written by Chretién de Troyes supports the idea of women gaining power through Courtly Love because he continually shows women as having more power in situations where…

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    Selection from Chrétien of Troyes, Lancelot, stories of courtly love were told to highlight the journey of a knight’s quest toward an “unattainable” woman. With the rise of this type of secular literature, it was common for the aristocracy of society to wish to produce their own tales. Marie of Champagne wished to modify older, traditional stories of a young knight’s legendary quest for a queen by elaborating them with the values of chivalry and courtly love, thus creating the story we know…

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