Anne Malory's Courtly Love

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A deep self-conflict appears in her presentation as both mysterious and involved in the courtly love tradition. Malory’s work showed an English preference to steep the queen’s sexuality in mystery when he removed Guinevere’s explicit scenes from Le Morte D’Arthur and Vives’ aimed to erase women from society after the loss of virginity. Mystery implied innocence through ignorance, while the courtly love tradition acknowledged sex as the end goal of a Courtly flirtation. Capellanus’ argument that the key to courtship lies in the lovers’ knowledge of the woman’s eventual submission, in Chrétien’s quick reconciliation between Lancelot and Guinevere. In 1527, this conflict shows best in her gift to Henry of a jewel that depicted a storm tossed maiden.
Anne turned the hunt of the dark hind into a capture based on her own terms by her push for advantages at Court. Through previous queens’ lives, women used masculine actions to define a default state and achieve nobility. Anne not only sought favors for her family, but she also began to develop recognized nobility for her own power. Anne’s pursued influence at Court
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The manner of the tryumphe of Caleys and Bulleyn: and the noble tryumphaunt coronacyon of Quene Anne, wyfe unto the most noble kynge Henry VIII, marked not only Frenchmen in Anne’s procession, but also Venetians. For the coronation of a woman born in England, the level of French involvement in the ceremony stands out in the Chronicle’s pages. Neither Woodville, York, Henry, nor Catherine’s coronation records preserve foreign presence. Catherine, who logically held the most foreign representation, does not enter the Chronicle as heralded by Spanish envoys. While possible that Hall considered Catherine’s Spanish dignitaries’ presence obvious, it seems odd that he would choose to include the French presences in Anne’s

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