Stanley Cohen

characters around them; Stanley, Mitch, and Allan. Stanley is the most masculine of all of them and Mitch is more of a gentleman while Allan the most submissive of them all has been portrayed as weak and is also hinted as a homosexual. Throughout the play Stanley has been depicted as a macho man, someone that is on the top compared to the other male characters, but is also seen to have passive, and almost homoerotic tendencies. Both in the play and movie have made Stanley as this man of power.…

specifying to Stella staying with Stanley no matter how badly he treats her. Stella’s desire for Stanley pulls her away from Belle Reve and her past. Stella is drawn to Stanley’s brute, animal sexuality, and he is drawn to her traditional, domestic, feminine sexuality. Stella is pregnant: her sexuality is deeply tied to both womanliness and motherhood. Even though Stanley is violent to Stella, their sexual dynamic keeps them together. When Blanche is horrified that Stanley beats Stella, Stella…

obedient human being reaction is when he or she is responsible for causing someone pain, that he or she did not know. Also, there was a more in-depth reason for the experiment. What govern the experiment to begin with is the desire for knowledge from Stanley Milgram passionate interest in why the Germens followed Hitler’s every command. Doctor Milgram was seeking information about how could numerous individuals follow such a corrupt leader and be kosher with the ethical sense of no compassion…

Despite what people would like to believe, not much has changed since the Holocaust people obedience to authority still persist. ABC News, in 2007, replicated Milgram’s obedience experiment with the help of experts ranging from university professor to psychologist like Philip Zimabardo. With their help they recreated Milgram’s famous experiment in a modern setting, and, again for lack of a better word, shocking results showed that 70% of the subjects reached the maximum shock potential very…

of Film Prof. Kim Kneuendorf Paper A First Draft 10-15-15 Max Ophul?s Influence on Stanley Kubrick?s Filmmaking Paper Outline Introduction Ophuls Influence on Kubrick?s technical filmmaking and storytelling Liebelei and Lolita: Comparing the early works of Ophuls and Stanley Kubrick Eyes Wide Shut and La Ronde Interpretations of the work of Arthur Schnitzler Conclusion Stanley Kubrick is considered one of the greatest film directors of all time. Because…

Ever since he was a child, Milo Thatch believed in Atlantis. He dedicates his life to the study and discovery of it, no matter who tells him it’s just a legend. When presented the Shepard’s Journal: a book of Atlantean history, language, and culture, Milo is ecstatic. The man who gives it to him, Preston Whitmore, says the book is gibberish and is most likely worthless. Milo responds with, “I've spent my whole life studying dead languages. It's not gibberish to me. If this were a fake, I…

Psychologist Stanley Milgram created a beneficial distinction between two levels of social control and incorporated them into one experiment. The first level was the influence that a higher status held compared to the status of a lower individual and the second level was the impact of authority that the higher status individual had over an “awe-inspired” peer. Milgram created an obedience experiment using a wide variety of participants that ranged from postal workers to high school teachers, an…

There will never be a more disturbing or powerful scene other than the one in A Clockwork Orange, directed by Stanley Kubrick (1971) of Alex Delarge as played by Malcolm Mcdowell when he is going to rape Mrs. Alexander while joyously recounting “singing in the rain.” Not even apart of the original screenplay as written by Anthony Burgess, Mcdowell adds a sense of deeper depravity to the situation by singing the tune mad-lib style. This scene finishes with Mr. and Mrs. Alexander tied and up and…

A Clockwork Orange is one of the most controversial works of fiction ever created. Upon its original 1963 release it was regarded as overly violent and disturbing. The film adaptation, released in 1972 and directed by Stanley Kubrick, garnered an even larger reputation and was banned entirely in the United Kingdom. Even though both the book and the movie are seen as disturbing in the eyes of the public, they vary slightly in interesting and relevant ways. The movie and the book versions of A…

where everything is going her way. While playing cards with Stanley, she states, “I know I fib a good deal. After all, a woman's charm is fifty percent illusion” (WIlliams 36), proving that she likes to fabricate the world around her. When she is talking to Mitch she states, “I don't want realism. I want magic!” (Williams 127), more over reinforcing the point that her life is one of her own semblance. Blanche’s fascination with Stanley plays a key role in driving the plot. However,…