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    The biblical story of “Adam and Eve” is one commonly known. In Zora Neale Hurston’s short story “The Gilded Six-Bits” similar themes have arisen. Hurston has found new ways to represent all characters and objects from the biblical story into her own. Not only are the character’s present, but there’s two common themes as well; The concept of eating fruit from the forbidden tree, and the representation of God and religion. With her short story, Hurston has been able to retell the tale of Adam and…

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    Eve In The Odyssey

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    It's a new morning as Adam begins to start planning the day to labor upon their garden. Feelings towards Eve as though they should "divide our labours" and go separate ways "till Noon". (214) As he reminds Eve "despairing, seeks to work us woe and shame" (253); extremely conscious of what could happen. While Adam continues giving forth order. Eve's human authority and her responsibility to comply is underestimated by her already "by thee infomd I learne" what could happen when she over hears "as…

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    Judgment In Frankenstein

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    In the book Frankenstein by Mary Shelley many different notions are important in the creation of this book, but the main two are social awareness and judgment. The book defines social awareness as the ability to survive and thrive in a civilized society. Judgment is defined by Mary Shelley as the ability to decide what is morally correct. Although these two notions are the most important, they are closely ties because the ability to judge what is morally correct grants the ability to survive and…

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    In the novel Frankenstein, Mary Shelley explores the judgmental nature of society and how it can have a negative effect on beings brought into our culture. Shelley frequently references the argument of “nature vs. nurture” throughout the text, it is ultimately society’s oppression and judgment that caused the creature Victor Frankenstein brings to life to feel neglected, judged, and depressed. This overwhelming rejection, that stems not just from society but even from his very creator as leads…

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    Chandru Sundarrajan Professor Schoolfield English 1325.008 10 April 2015 Summary Mellor, Anne K. “Possessing Nature: The Female in Frankenstein.” Romanticism and Feminism. Ed. Anne K. Mellor. Bloomington: Indiana UP, 1988. 220-32. Rpt. in Frankenstein. Ed. J. Paul Hunter. Norton Critical Edition. New York: Norton, 1996. 274-86. Mary Shelley’s Frankenstein is set in a patriarchal nineteenth-century society in which men function in the public sphere and women are limited to the household. In…

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    In Frankenstein by Mary Shelley, many abstract notions are addressed through Victor Frankenstein’s trials and tribulations with his creation, the monster. The monster’s unconventional approach to justice serves as a direct contrast to society’s accepted definition of it, creating a natural tension and polarizing the two groups, while simultaneously blurring the lines between what is just and unfair to reiterate the fact that justice is not a clear-cut standard. The notion of justice falls on…

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    Mary Shelley’s Frankenstein, is to be identified that Victor and The Creature are found to have a distant relationship. Frankenstein created a Monster that was in need to be looked after, but decided it wasn’t necessary to. Victor felt sadness and depression after the creation of his Monster. Throughout this tragedy, Victor identifies his human like creation as a monster, creature, but does not name for the reason of not wanting to be attached to him. He later on faces the consequences and…

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    Julio Jara Mr. James ISEM101-40 October 11, 2014 The Bride of Frankenstein The bride of Frankenstein is a film directed by James Whale released in 1935 as a sequel to the original Frankenstein. The original was a story that left everyone pleading for more. The people got what they asked for and, once again, James Whale did not disappoint. A couple of iconic characters were added to the mix, but all in all it is still the story of a misunderstood monster trying to find acceptance in a cruel world…

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    In the first book of Milton’s Paradise Lost, he describes evil’s violent and elusive nature. Satan has been recently sent to Hell, a place that is the epitome of the character of Evil. Taking in the atmosphere he says, “As one great Furnace flam’d, yet from those flames/No light, but rather darkness visible” (I. 37-48). The portrayal of Hell as a lightless fire showcases its violent nature. The word “fire” serves as an indicator of evil’s anger, intense, and powerful nature. Labeling the fire as…

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    writing and Mary Shelly is no stranger to this common practice of intertextuality. Throughout her own science-fiction novel, she pulls upon many famous works which permeate throughout Frankenstein. From Plutarch’s Lives of the Romans and Milton’s Paradise Lost to Coleridge’s The Rime of the Ancient Mariner, Shelly utilizes these famous works to foreshadow plots and mold the characters…

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