Antonello Da Messina's St. Jerome

During the fifteenth century, the emergence of the Renaissance lead to the development of distinct geographical painting styles both North and South of the Alps. Though the Alps were often viewed as a dividing line that kept the styles separate, various paintings of the time reflect an interaction of artistic influences across them. Perhaps one of the most fascinating examples of North and South interplay is Antonello da Messina’s St. Jerome in his Study, 1470’s, National Gallery, London. An analysis of Antonello’s St. Jerome in his Study reveals his interest in the innovative medium and descriptive style of Northern Europe, which he combined with his native Southern interest in light and space – resulting in a pioneering architectural arrangement …show more content…
Jerome reflect his fascination with Netherlandish painting and desire to engage Northern notions of “painting as a microcosm.” Many scholars have debated how the Sicilian-born artist gained exposure to Northern art, and believe it was during his time in Naples, where “René of Anjou … ruled as King” from 1438 to 1422 and “Netherlandish painting was highly valued.” It is also widely accepted that in Naples, Antonello “trained under … Colantonio del Fiore,” a master well-versed in the Netherlandish style. The most striking aspect of Antonello’s St. Jerome is his use of minute detail [Fig. 1]. Similar to Netherlandish artists like Jan van Eyck, he incorporates meticulous detail onto a small panel– notably the oval pyx which references the Eucharist and Christ’s sacrifice [Fig. 1.1], and red potted carnations which symbolize the deep commitment to Christ necessary to obtain salvation [Fig. 1.2]. He also uses the “Netherlandish motif of the towel hanging on a nail,” depicting a soiled towel to convey impurity and the dangers of temptation [Fig. 1.3]. Additionally, the detailed monastic library is significant in conveying the sitter’s respect as patron saint of librarians. The study’s placement in a Gothic church is yet another Northern element Antonello employs. Through the church, Antonello combines a vaulted ceiling [Fig. 1.4], “Gothic biforate windows” [Fig. 1.5], and a strong sense of verticality to …show more content…
Jerome in his Study represents his Northern Renaissance interest gained in Naples and adherence to characteristic Italian Renaissance style – combining the detail, Gothic architecture, and oil paint of the North with the ornate pattern, mass, and light fascination of the South. As a whole, this painting was pioneering for its merging of styles, which Antonello uses to focus the viewer on St. Jerome’s wisdom and contemplation to express his spiritual admonitions and prompt equal contemplation in the