Fontana’s Christ with Symbols of the Passion can also be compared to Rosso Fiorentino’s Dead Christ with Angels. Both paintings came out of the Mannerist period during 1525 and 1600. Dead Christ with Angels is a prime example of this form of artistic expansion. Both artworks can be characterized by strong, unusual color combinations, crowded or ambiguous space, warm central lighting and elongated or often twisting figures. The comparison between the two artworks is almost identical. Both works depict Christ the moment after his crucifixion and being held by young angels. Christ, in both paintings, is the focal point of the entire scene. Christ is shown in a gentle manner rather than in gore, with the only indications of crucifixion being the
