Surfers Paradise

“So God created man in his own image” (New International Version, Gen. 1:27). Much like God created man, in Mary Shelley’s novel Frankenstein the titular character, Victor Frankenstein, creates a living being. The plot relies heavily on acts of cruelty. In the novel, cruelty functions as a result of knowledge, a catalyst for character development, and a reflection of the perpetrator’s true sentiments and the victim’s true weaknesses. Throughout the novel, multiple characters feel an undeniable…

The film Blade Runner of 1982, poses the question of “what makes a human? And what makes a machine?”. If ultimately humans are trying to make “machines” just like themselves, then why are they not treated like humans. If humans are trying to create an “artificial life” that embodies human, they should treat it like a living life rather than a disposable object. Blade runner is essentially about Deckard (Harrison Ford), is a “blade runner”, who is a specialized assassin that his hired to find and…

Creating the Other: Frankenstein and his Monster Pride is a feeling often associated with creating something new. Inventors, artists, and visionaries are lauded for developing something completely original. In the chapter titled “Creation and the other” of Derek Attridge’s book The Singularity of Literature he presents a different notion of originality. Attridge writes about what it means to create something original and that creation’s place in society. He argues that every new creation is…

The Nuts and Bolts of Frankenstein (and The Monster) In Mary Shelley’s famous work ‘Frankenstein’, Victor Frankenstein brings to existence a novel species in hopes of being glorified as a genius and innovator. However, instead of conjuring a being of magnificence to be loved by all, he brings to the world an intelligent and superior who will be rejected from all of society for lack of beauty and normality. This creature finds that while he has potential to contribute to the world, he will never…

In the novel Frankenstein by Mary Shelley, the two principle characters, Frankenstein and the animal are both looking for equity. This equity wouldn't have been important if not for the formation of the creature. The physical appearance of the beast is the fundamental driver of its own enormity and other individuals' disdain of it. Frankenstein's equity originates from the acknowledgment that the creature has executed the greater part of Victor's family. Different individuals from his family…

Although Frankenstein is the name of the creator of the Monster, we immediately think of the hideous looking monster when we hear the name “Frankenstein.” Frankenstein by Mary Shelley is the story of a man whose ambition drives him to seek the supernatural from his work. In an attempt to “play God,” he creates a living being. Throughout the story, Shelley intentionally or unintentionally makes her readers question what it means to be human. According Daniel Chandler, “a true monster is evil,…

Was Dante Trying to Scare the Hell Out of Us? (A discussion of how Dante’s The Inferno, is used as a moral propaedeutic) “Heaven would be wonderful, but it looks even more wonderful when there is also a threat of Hell. People probably believe in Heaven more when they have just been threatened with Hell.” (Heflick). People of the church are often known for their ability to make individuals who do not attend church feel lesser and more sinful than themselves. This seems to be the case because…

Prejudice is defined as, “An unfavorable opinion or feeling formed beforehand or without knowledge, thought, or reason.” The majority of humans tend to judge others by appearance rather than personality Prejudice and appearance is prevalent in Mary Shelley’s novel Frankenstein as well as today’s culture which has major effects on others through race, age, religion, etc. In Frankenstein, the monster is a hideous, vicious being of large stature that has the potential to cause injury, so he is…

Introduction One of the vital challenges which mankind has always faced is alienation. The nineteenth century gothic novels, Mary Shelley’s Frankenstein (1818) and Emily Brontë’s Wuthering Heights (1845-46), artistically demonstrate the never ending cycle of being an outcast in society and share the common point in presenting the character’s sense of disjunction and alienation. Frankenstein is the petrifying account of a brute which was given life and fabricated by Victor Frankenstein and…

A couple of weeks ago in my Intro to Lit class, we read John Milton’s Paradise Lost and it tells the story of how it all began from Satan’s perspective. I suddenly became curious as to how Satan was able to get himself cast from Heaven. Is there human freedom in Heaven? I believe that this is an extremely important question to me because we are in a continuous spiritual battle here on earth and I just wonder if the fall of man could happen again in Heaven. Is there human freedom in Heaven? Do…