Stella Artois

A Streetcar Named Desire, written by Tennessee Williams, tells the story of Stella and Stanley Kowalski and the dramatic turmoil that overtakes their relationship upon the arrival of Stella’s sister Blanche DuBois. In the first half of the play, Williams introduces both the setting and the primary characters almost immediately using vivid imagery, appealing to both the visual and olfactory senses of his readers; “"You can almost feel the warm breath of the brown river beyond the river…

slips into the story, that Stella was the one who took the leap of faith and left her family and their estate, blossoming into her own woman. Just as all individuals experience trials that prohibit them from moving forward, Stella’s marriage becomes a trial that not only prevents her from moving forward but drags her backward, erasing the individuality she once achieved. Although Stella’s sister Blanche, views her reliance on her husband as weak, and looks down upon Stella for the life she now…

want to eat! Ante up,” this shows his macho man side doesn’t like to lose at and would prefer that everyone complies to him and his needs making him the alpha (Tennessee 45). Later in the scene Stanley gets angry at Blanche and throws the radio which Stella starts to call him a “drunk animal” (Tennessee 57). He then quickly strikes her and gets pinned by the other men. Mitch orders the men to throw him in the shower, and as how Darwick says we see some of the homoerotic tendencies where Williams…

quotes emphasis how Blanche believes that Stella is acting on her desire, specifying to Stella staying with Stanley no matter how badly he treats her. Stella’s desire for Stanley pulls her away from Belle Reve and her past. Stella is drawn to Stanley’s brute, animal sexuality, and he is drawn to her traditional, domestic, feminine sexuality. Stella is pregnant: her sexuality is deeply tied to both womanliness and motherhood. Even though Stanley is violent to Stella, their sexual dynamic keeps…

When actors are performing on stage for an audience there can be many distractions which could ruin there performance. Stanislavski believed that if the actors observed an object with intensity, they would become interested in it which would help them develop an action with it. Although Stanislavski didn’t want his actors to easily become distracted by the audience, he didn’t advise that the actor forget the audience, or believe they didn’t exist. He thought that would be contradictory to the…

“Stanislavski was concerned with actors getting distracted by the audience while performing on stage.” This here shows that to start off the actors could get completely distracted by the audience which could possibly ruin an entire performance. However Stanislavski saw this problem and found ways to counteract this problem. It was difficult however because Stanislavski did not want the actors just to forget the audience, I also think that forgetting about the audiences existence is a bad idea…

Stanislavski was extremely concerned that the actors would get distracted by the audience when they are performing on stage. Stanislavski came up with a way to make actors observe in a way in which it would help them develop their acting making them more focused and aware. The audience is very important to the overall piece, however he did not find them a ‘crippling factor’. Stanislavski came to realise that actor’s lost control of their basic acting skills on stage. Moreover it was recognised…

One theme that constantly appears in A Streetcar Named Desire is a contrast between the reality and fantasy of love. This dichotomy is represented by Blanche and her grasp on life. Blanche attempts to supplement the hard times in her life by creating fantasies where everything is going her way. While playing cards with Stanley, she states, “I know I fib a good deal. After all, a woman's charm is fifty percent illusion” (WIlliams 36), proving that she likes to fabricate the world around her. When…

Stanislavski’s work has not only helped people to become better actors, but also have helped others to become better people by helping them understand themselves. He has provided a system to help actors process of characterization which can also be applied to one’s everyday life. The first way Stanislavski’s work that stood out to me was the first proposition he makes for having actors become like the characters. He mentions how one must believe that that he or she is convincingly in the same…

visits her sister, Stella, and her husband, Stanley, out in New Orleans to escape from her life in Mississippi. During her stay we find that Stella and Stanley do not have a very healthy relationship. We also find that Blanche is not well and she had not made the best of choices in her past. This story focuses on the characters Stella and Blanche, sisters who grew up on the Belle Reve estate in Mississippi, Stanley, Stella’s violent and unrefined husband, and several of Stella and Stanley’s…