Stanislavski was extremely concerned that the actors would get distracted by the audience when they are performing on stage. Stanislavski came up with a way to make actors observe in a way in which it would help them develop their acting making them more focused and aware. The audience is very important to the overall piece, however he did not find them a ‘crippling factor’. Stanislavski came to realise that actor’s lost control of their basic acting skills on stage. Moreover it was recognised by Sonia Moore, on stage an actor’s ‘natural psycho-physical union’ is broken, causing ‘paralysis of faculties’. This is especially apparent in beginning actors. Stanislavski realized this early on in his experiments. This then affected their ability
