Italian Futurism and English Vorticism are generally considered to be Modernist movements. Indeed, literary scholar Peter Childs includes Futurism and Vorticism in his seminal book aptly titled Modernism, placing them amongst other Modernist movements like Expressionism, Surrealism, and Dadaism (14). In one of Childs’s many definitions of Modernism, he argues that the movement is imbued with “radical aesthetics, technical experimentation, spatial or rhythmic rather than chronological form, self-conscious reflexiveness, scepticism towards the idea of a centered human subject, and a sustained inquiry into the uncertainty of reality” (18). Certainly, Futurism and Vorticism utilize these Modernist elements in order to radically “break from the past” (30); however, there are certain characteristics that may suggest that Futurism, and in some ways Vorticism as well, transgresses traditional definitions of Modernism. Futurism does not merely profess this Modernist scepticism towards the centered human subject, but professes a profound exaltation of…