Relative permittivity

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    Fabrication Lab Report

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    Introduction: The lab experiment on Fabrication and Microwave Frequency Measurement of a ring Resonators was about finding the relative dielectric constant and the response of a ring resonator. These values are found by using a ring resonator and setting a frequency signal to the ring to resonate the signal. This lab also shows how to make the ring resonators from paper or any type of electric device from fabrication. Fabrication is used to print electric devices such as printed circuit boards. Printed circuit boards can be used for just about anything from power dividers to filters. Ring resonators are used to find microwave substrates produced in the ring resonators and can be antennas to circuit boards. The FR4 Ring Resonator is used for…

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    depended on conductivity variation inside the material [1, 45, 46]. Furthermore, according to equations 3.5 and 3.6, space charge can be accumulated in insulation material in steady state condition due to the variation of permittivity to conductivity. As a result, by combining equation 3.2, 3.3 and 3.6, the equation of determining space charge in steady state condition can be written ∇.(ε_0 ε_r E)=∇.(ε_0 ε_r J/σ)=J.∇((ε_0 ε_r)/σ)+ (ε_0 ε_r)/σ ∇.J=J.∇ ((ε_0 ε_r)/σ)= ρ (3.7) …

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    Personal Philosophy After completing the leadership inventory, I came to find that I had equal amounts of each of the four leadership styles. Personally, I thought my primary leadership style was analytical and my secondary leadership style was supportive. I did not see myself as being directive or adaptive, so I was surprised at the results. By having equal amounts of all four leadership styles, I will be able to use all the different characteristics of these leadership styles to aid in my…

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    The recapitulation is begins at bar 156. Measure 156 to 170 is presents the same things from P in exposition. But at bar 168, the chord changed. The original one is G (V in c minor). But there, it goes to Ab, which is the V in Db. The bar 169 is the tonic in Db and the 170 goes to Bb, which is the V in Eb major. Than, measure 171 to 173 arise a new phrase in Eb major. At the end of the bar 173, it goes to the V of C major, because after that, it’s the transition part, which is start at I in C…

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    American Overture for Band is a level six, wind band, piece that has been played and enjoyed by advanced high school and university bands. The scoring is dense and somewhat atypical, however. Jenkins includes a sting bass, a cello, three baritone parts, three flute parts, and four clarinet and trombone parts. Jenkins includes the string bass part because is important to the texture of the piece. The tuba cues, like all the cues in the piece, are “safety doublings” and “should be played only…

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    Second Movement Analysis

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    IV. Second Movement The second movement is in a compound ternary form. It is in simple quadruple time in E major with the tempo of Adagio. It is nocturne-like (Zi, 2001, p. 94) and it’s meant to give the audience a peaceful feeling. Introduction: The opening of the second movement has used muted strings, woodwind, clarinet and bassoon. These instruments slowly modulate from the previous C minor to E major using chromatic notes. Fig.16 Exposition (A): In preparation for the first theme to…

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    CHAPTER TWO - CRITICAL ANALYSIS 2.1 Exploration Of Tonality And The Pentatonic Scale Blossoms on a Moonlit River has been written in G major, and this is known from an author’s note written above the stave and the key signature (Fig 2a). It has been written with diatonic numerical notation using the numbers 1 to 7, and the number 0 represents a rest. The piece is tonal centred, and relies on a major pentatonic scale consisting of G, A, B, D and E (Fig 2b) and this is close to the western…

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    For this paper, I listened the RadioLab episode on music language. I chose this one because, being a musician myself, I’ve always been interested in the psychology behind music, specifically why certain sounds can so drastically alter our emotion. After all, they’re all just vibrations. So what is it about some vibrations that make them so much more significant to us than others? This is one of the primary questions addressed in this podcast. In discussing how music affects us emotionally, the…

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    Movement 1 - Allegro non troppo & un poco maestoso Allegro, meaning somewhat fast. Usually 120 to 160 bpm. Non troppo, meaning not too happy sounding, kind of sad. Un poco maestoso, meaning to be played a bit stately. Maestoso means stately or majestically. The main theme is a strongly played passage, with the full orchestra. The main theme is played in various forms throughout the first movement. During the end of the first movement, there’s a call and response section between the Horns…

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    Two violins, one viola, and a cello played Joseph Haydn’s String Quartet, Op. 76, No.3 (Emperor), II in quadruple meter and in the form of one homophonic theme with four polyphonic variations. The theme is introduced by the entire quartet in an conjunct melody that has three unique phrases. The first phrase, “A”, is the first to be introduced and repeated a second time, “A-A”. Phrase “A” moves smoothly from mid to high in ascending and descending conjunct intervals and is repeated. A second…

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