Edvard Munch

The Scream, Edvard Munch, 1893, Oil Painting,  35.75" X 29", Figure 11.28 The narrative depicted in this piece is one of hysteria, and paranoia. The scene is set on the edge of some type of wooden pier, or bridge, that stands over some body of water. The perspective from which the viewer sees seems slightly elevated above the focus of the painting, as if we are meant to look ever so slightly down at the moment taking place in the image. We only see a small portion of the wooden construct. We…

paintings on the wall, and lastly the sculptures and models in the middle of the gallery. Watch your step and enjoy! Entering the gallery from the left door, looking to your right on the wall you will find Edvard Munch’s” Night in St. Cloud”, which is an autobiographical work from when Munch lived in France. This painting is the view from the floor he lived on that filled the room with a somber blue. It is a recording of his life as he moved outside of Paris to St. Cloud and…

) Identify the work. Who is the artist? The title? The date? Do you know the medium that was used? Artist: Nathan Oliveira Title: Stage #2 with Bed Date: 1967 Medium: Oil 2) If the artist is known, are we aware of anything about the artist's life or personality that may have affected his/her creation of the work? Nathan Joseph Mendonca Roderick, born in Oakland in Dec 1928, was the only child of Elvera Furtado and Joseph Roderick, natives of Portugal whose short-lived marriage was shattered…

1925) moved forward into the world of color and surface to express the inner world of emotion. „These techniques were meant to convey the turgid emotional state of the artist reacting to the anxieties of the modern world.“ (TheArtHistory, n.k.) Edvard Munch visualized this concept with „The Scream“(1893) (Fig.5). This technique reduced the reality more and more to the essential embassy. The Cubism (1907 - 1911), focused on collaging and a combination of different materials, established and…

The Shock of the Modern is an appropriate way to describe the changes occurring in art and society during the 19th and 20th centuries. Various social, political and economic changes would drastically challenge artistic conventions that had been in place since the Renaissance. The period between 1850-1970 saw dramatic changes and revolution in the production and history of art. The art world would be exposed to juxtapositions between both tradition and modernity and the idealized and realistic.…

This essay convenes the work of two Austrian artists, Gustav Klimt and his former student Egon Schiele. Both twentieth century artists and both independent in their style, their work together embodies common idiosyncrasies. The two share many qualities in their work, especially a kind of anxiety. Although stylistically, Klimt 's work is formally ordered and decorative while Schiele 's work is unforgiving in its brutality. An example that displays this duality in their work and similar…

artists? Many artists in the twentieth century suffered from mental illness, but went undiagnosed because there was not as extensive research there is nowadays. Some artists that have been suspected of having a mental illness are Marina Abramovic, Edvard Munch, Jackson Pollock, and Vincent Van Gogh. Those suffering from mental illness think very differently than those without. This could be the reasoning for why these artists have created works that are so unique from others at the time and…

patients and their relatives, finding that bpd, or bipolar disorder, is more common in individuals with artistic professions including dancers, photographers and authors (Berman). Some of these neurodivergent creators include Ludwig van Beethoven, Edvard Munch, Vincent van Gogh, and Georgia O 'Keeffe. Saying that they created magnificent pieces would be an understatement, these people were creatively…

Gustave Courbet was a man interested in beauty no matter where he found it while Eugène Delacroix focused more on beauty in war and suffering. Both painters used color to enhance the authenticity of the the people in the images. As well as color, the painters used shadowing and it enhanced the mystery and seriousness of the paintings. Gustave and Eugène both painted pictures of characters that were surrounded by backgrounds that either enhanced them or the scene or the image in the back was…

The Workshop’s schedule Instead of writing dates on the posters, the Workshop published the monthly schedule of the performances in a regular way. These brochures were printed on coated papers or light writing papers and were usually unicolor or bicolor. The papers, whose background color changed each month, carried on them the name of the Theatre Workshop, the month and year of the program and the National Iranian Radio and Television’s logo. Workshop’s logo The workshop had no specific logo.…