Harrison expresses his personal ideas most explicitly here, but it is like a lightbulb under a lampshade: to see the full light of the concept, you must unsheath it. As Tristan battles his own inner wildness which threatens to destroy him and those he loves, he also battles that which he cannot understand. Similar to the woman in Harrison’s poem, Tristan takes what isn’t his to soothe his own desire. As he passionately embraces his brother’s fiance, with the rich, fiery, indulgent tones of red and burgundy surrounding them in the frame, Tristan destroys the relationship with his brother Alfred, who walks in on this scene, and, sets him and Susannah on a collision course doomed from the
Harrison expresses his personal ideas most explicitly here, but it is like a lightbulb under a lampshade: to see the full light of the concept, you must unsheath it. As Tristan battles his own inner wildness which threatens to destroy him and those he loves, he also battles that which he cannot understand. Similar to the woman in Harrison’s poem, Tristan takes what isn’t his to soothe his own desire. As he passionately embraces his brother’s fiance, with the rich, fiery, indulgent tones of red and burgundy surrounding them in the frame, Tristan destroys the relationship with his brother Alfred, who walks in on this scene, and, sets him and Susannah on a collision course doomed from the