In comparison from the High Renaissance to the Early Renaissance there is many similarities in the aesthetics of the art pieces. Looking at figure 15.44 from Piero della Francesca titled Double Portrait of Battista Sforza and Federico Montefeltro from the Early Renasiisance you can see a difference in the backdrop behind the portraits or the main item as being more realistic and natural than example 16.7 of Leonardo da Vinci Mona Lisa where the back is less detailed practicing the term known as sfumato giving it a smokier less defined look. Placements of figures were very
In comparison from the High Renaissance to the Early Renaissance there is many similarities in the aesthetics of the art pieces. Looking at figure 15.44 from Piero della Francesca titled Double Portrait of Battista Sforza and Federico Montefeltro from the Early Renasiisance you can see a difference in the backdrop behind the portraits or the main item as being more realistic and natural than example 16.7 of Leonardo da Vinci Mona Lisa where the back is less detailed practicing the term known as sfumato giving it a smokier less defined look. Placements of figures were very