1. Figure 4.3, Going Home by Jacob Lawrence. This piece was created in 1946, and was painted with gouache, which is an opaque type of watercolor. I personally did not like this piece, I’m not a fan of the medium used, but nevertheless I found it interesting. In my opinion, the low value and intensity of the yellows and greens are unappealing, I think they make this train or bus seem outdated and old, or just dirty. But I do enjoy the contrasting red and green, and the warm feeling that the…
news featuring headlines like: “Iran Nuclear Deal: What Happens Next?” and “Radical Islam: why Europe should be on war footing” it is no surprise that Western society has a fear of Muslims. In Azar Nafisi’s essay “The Veiled Threat”, she brings light onto a neglected issue within Islam: the inequality between men and women. Media has distorted the Western perception of Islam as it does with other cultures and people. The news says “good evening” and then tells us all reasons it’s not. The news…
by blinding us to the humanity of others and convincing us to accept their pain and our own pain in the pursuit of avarice. The breadth of pride 's effect on humanity is apparent in its thematic presence throughout literature. In All Quiet On the Western Front, we see how pride shaped history in World War I. In All Quiet, war itself is strongly associated with pride: "It 's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French…
rather than agricultural ones. From the mid eighteenth to early nineteenth century, an industrial explosion occurred. This was the Industrial Revolution. It began in Britain with the expansion of coal and textile industries. This spread throughout western Europe and areas of North America and lead to a trend of manufacturing goods. By the twentieth century the world was aware of their industrial power. But industrialization left many countries behind. While the Industrial Revolution and…
Acemoglu and Robinson make great strides in the institutional argument from North and Thomas’ start in Rise of the Western World. Their case is quite compelling in addressing the question of why are some countries so rich and some so poor. It’s appealing mainly because it all boils down to incentives: if masses are incentivized, a country will grow, if the elites alone are incentivized/hold the power, a country will stagnate. This argument is almost impossible to refute because it’s built on the…
Gustave Courbet was a man interested in beauty no matter where he found it while Eugène Delacroix focused more on beauty in war and suffering. Both painters used color to enhance the authenticity of the the people in the images. As well as color, the painters used shadowing and it enhanced the mystery and seriousness of the paintings. Gustave and Eugène both painted pictures of characters that were surrounded by backgrounds that either enhanced them or the scene or the image in the back was…
pieced together in a collage-like, layered fashion to form the overall appearance of a skull. The color palette used is mainly based on subdued primary tones of red, blues and yellows against the dominate black forming some shapes and lines, and the white of the abandoned canvas showing through. Subject Matter and Interpretation The first impression this artwork gives the viewer is one of…
Whilst there is no doubt that a system of bandits did exist, what is less clear is how far the Thuggee archive is entirely an orientalist product full of inaccurate reflections of Indian crime especially Thuggee. Notably, the “authentic archive” was created by Sleeman himself indicating accounts on thugs were influenced by preconceived notions of Indian men. Consisting of oriental biases, the archive was perhaps a product of ‘deep-seated European inclination’ to civilise India. Depicted as…
Women in History: Artemisia Gentileschi’s Self-Portrait as the Allegory of Painting Surrounded by portraits of and by male artists, Artemisia Gentileschi’s (1593-1652) oil on canvas Self-Portrait as the Allegory of Painting (La Pittura) 1638-39 stands out in the midst of Vancouver Art Gallery’s “The Royal Collections: Portrait of the Artist” exhibition. As one of the only woman artist portraits, it pronounces itself in entirety to symbolise the prominence she has given females in history as she…
Liberty is a Caucasian woman, therefore using light grey, peach and white blended paint to create a smooth skin and she is dressed in a pale yellow dress, holding a brilliant red, white and blue flag while a subtle halo of light in the cannon smoke that surrounds her to emphasize her power. Notice that the blue section of the flag is right above Liberty’s head, by using a darker blue, the flowing flag blends into the sky, giving red and white an even greater contrast, which demands attention to…