Kate Beckett

characters are most prominent in the protagonists, Rick Castle and Kate Beckett. Initially Rick Castle seems like an overly arrogant and immature man, at the surface this can be attributed to his lack of a fatherly figure growing up. However, what is not revealed until much later in the series is that when Castle was a young boy of all but 11 years old, he encountered the body of a young girl in the woods and was confronted by her killer who had mercy on him. Bothered by the mystery of what happened to him the woods, he explored and reflected himself in his writing which evidently resulted in him becoming a mystery writer. In the first episode of the series, when Detective Beckett questions Castle’s reason on consulting, he answers that he choose to shadow her for the story( ABC.Flowers For Your Grave. 2009). However his reasoning is not as surface level as it seems, although Castle does stay by Beckett's side because she became his muse for his next novel, in actuality he stayed in the precinct and later became a private investigator (ABC, Castle, P.I, 2015) as a means of psychological restorative because of his obsessions with solving mysteries due to his childhood trauma. Combined with his arrogant personality and his tendencies to trust his instincts rather than outside information, this relationship contributes to Castle’s obsession with death. In addition, this relationship can be seen in Detective Beckett decision in becoming a detective in order to have a position…

Storm brought his empty plate into the kitchen. He stood by the sink and watched Penny out in the patio. She stood back listening to the conversation between her mother and father, Arnold, and the two plump astronomers from ANU. She nodded her head politely and no doubt about it, gave polite chuckles at just the right time while they chatted on and on with each other. He caught her eye as he walked past the open doors into the living room, and gave her a wave as she gazed over her shoulder at…

Storm brought his empty plate into the kitchen. He stood by the sink and watched Penny out in the patio. She was nodding her head as the plump astronomers from ANU were describing in great detail some event to Franchette. He could tell she was bored from the smiley mask she wore. She would politely chuckle at just the right time while they chatted on and on, endlessly, about friends, colleagues, and neighbours in Sydney and Canberra. He caught her eye as he walked past the open doors into the…

In fact, the way in which Elizabeth Bowen delineates her disoriented national identity becomes the most alluring aspect in the novel. The two family homes, Holme Dene and Mount Morris serve as key representers for London and Ireland respectively. Stella’s visit to Mrs. Kelways house provides her the motivation to shift her thoughts from ignorance to knowledge about Robert. Mount Morris, on the other hand, restores Stella’s vision of her heritage but she quickly realizes that she could never live…

onto when reading The Fall, readers are, in a sense, forced to accept the idea of a subjective reality. No Man’s Land, a play written by Harold Pinter, further explores the theme of reality and it’s relationship to existentialism. Two men in their sixties, Hirst and Spooner, are talking in Hirst’s living room. They have just met at a bar. They are both drinking, which is evident from the somewhat choppy dialogue. The encounter seems choppy as well. At first the two men seem like strangers but…

Evaluating the Intertwining of First Native Culture and Indigenous Literature: Richard Wagamese’s Indian Horse In English literature a formalist movement in the mid 20th century that emphasized the relationship between a text’s idea and its form - known as New Criticism - continues to strongly influence modern academic writing. New Criticism specifies that the object of study ought to be the text itself, not the response or the motivation of its author or readers. Rarely do New Criticism texts…

“Nothing happens. Nobody comes, nobody goes. It's awful.” This quote extracted from Waiting for Godot, an absurdist play by Samuel Beckett that premiered on 5 January 1953, holds the essence of absurdist theatre and what its playwrights seek to express- the inescapable meaningless and futility of life. The origins of absurdist theatre are commonly linked to the avant-garde experimentations of the 19th century, but there has been speculation that there were traces of absurdist theatre in works…

ASSIGNMENT 7: ESSAY After analysing the character of Yossarian from Joseph Heller’s Catch 22 in comparison to Gilgamesh from The Epic of Gilgamesh, we can conclude by saying that post-modern writers often went back to classical literature for inspiration. This statement can be proven by referring to the similarities and differences between the protagonist as well as the archetypal plots and themes. In literature we find two types of heroes: heroes and antiheroes. The difference between the two…

A simple analysis on Oscar Wilde’s Salome Oscar Wilde was an Irish playwright, novelist, essayist, and poet. Scintillating with wit, he has left many talented works, and he was famous for his poems, fairy tales, novel and plays. First written in French, Salome was a single-act tragedy, which became his representative work of aestheticism. Originally, the story of Salome was come from the Bible (the New Testament: Mark 6:17-29 and Matthew 14:3-11), in which the name Salome wasn’t even mentioned.…

CHAPTER 1: CONCEPT OF FREEDOM George Bernard Shaw was an Irish playwright and a critic. His work as a London newspaper critic of music and drama emerged in The Quintessence of Ibsenism. His celebrated plays include Arms and the Man, You Never Can Tell and The Devil’s Disciple. His works present a bold intellectual criticism sugar-coated by a pretended lightness of tone. He rebelled against disordered thinking, and sought to puncture pierce pretensions. In the essay Freedom, G.B.Shaw reveals his…