“Because it involves planning, risk, and skill, burglary has been a crime long associated with professional thieves who carefully learn their craft” (Siegel 385). This quote, found in Criminology by Larry Siegel, describes the level of commitment required for being a burglar. Burglary is part of a larger set of crime known as property crime, also called economic crimes. These crimes can be defined as, “criminal activity motivated by financial gain” (Siegel 370). Besides burglary, property crimes include theft, fencing, fraud and embezzlement.…
One can never completely or completely accurately understand another person. In the article “Understanding Another’s Wrongdoing,” Christopher Cowley argues that a significant idea present in Crime and Punishment actually goes against this general psychological concept. He believes that the process of being understood and seeking to understand others drives this novel through the actions of Raskolnikov. By specifically analyzing the confession scene near the ending, he focuses on three of Raskolnikov's excuses and Sonia’s reactions to each in order to illustrate the development of “loving understanding” in the novel (Cowley 90).…
Not only does Luzhin’s calculative actions when his self-interests are threatened make him increasingly dangerous, but the fact that he makes decisions with a stable, sane mind in comparison to other characters further establishes him as a very threatening individual. Simply, readers are able to perceive that other people that pose a potential threat to Rasky and his family can be considered psychologically sick, which inherently influences their decisions greatly. For example, Svidrigailov is increasingly haunted by his past, as he has seen the ghost of his perished wife on numerous occasions. Because of this, it is obvious that Svidrigailov’s openly, potentially destructive behavior can be considered a partial result of the hardships he is…
Superman does not Dream In Part 3 of Crime and Punishment, by Fyodor Dostoevsky, Raskolnikov once again wrestles with his emotions after his murder of Alyona and constant evasion of the police. The police just found a piece of Raskolnikov's writing from about two month before. He describes his belief for the need of some great being to be above the law, in order to make their society more safe. Once reminded of his old writing, Raskolnikov begins to wrestle with himself whether he truly could consider himself the superman.…
Raskolnikov’s conscience deals with morality and free will versus guilt in this chapter as Porfiry constantly asks him questions about his life, his religious views and the day of the pawn lady’s murder. In chapter five, Razumihin and Raskolnikov visit Porfiry. Razumihin introduces Raskolnikov to his uncle, Porfiry and Zamyotov enters. Raskolnikov becomes very restless and hopes his relaxed entrance will convince the detectives he has nothing to do with the murders. Raskolnikov knows Porfiry is a clever man and very intelligent and he will have to outsmart Porfiry to maintain his innocence.…
The femme fatale is the most powerful character in American hard-boiled crime fiction. In Dashiell Hammett’s Red Harvest and Curtis Hanson’s 1997 production of L.A Confidential the female protagonists are sexual beings who follow the stereotypical attributes of the ‘disastrous woman’ . Looking at Elisabeth’s Bronfen’s ‘Femme Fatale: Negotiations of Tragic Desire’ the position of the femme fatale is something other; something that exists outside the formerly set boundaries for women. ‘She is not only sexually inhibited, but also unashamedly independent and ruthlessly ambitious’ creating a powerful female figure that controls men rather than submitting to them. The femme fatale is a woman of power.…
No matter the crime, or who commits it; there are always consequences for one’s actions. Irene Adler has brought charges against the king of bohemia and his accomplice Sherlock Holmes and Dr. Watson. Irene Adler; as an eyewitness and victim, decides to come forward and tell about the crimes that have been done towards her. The king will be served charges of attempted robbery, stalking, and arranging these crimes for others to join in. While Holmes will be charged with trespassing and being an accessory to the crimes that the king has led Holmes to do.…
Raskolnikov can not be placed as a hero or villain, because the reader knows murder is wrong but to what extent? Can murder be justified if it was to benefit the less fortunate? The reader will even question why society listens to labels of “right” and “wrong” and decides what is right and what is…
Raskolnikov avoids his mother and sister as much as possible and his friend, Razumihin, whose kindness he rejects. He wishes to remain separate from his friend and family and only finds some kind of solace from Sonia, whom he sees as being similar to him. Then again, Sonia is the one inspires him to return to his old-self by confessing to the police his crime. The moment when…
The author makes it clear to the audience that Razumikhin is the foil character to Raskolnikov. Although he acts as a flat character due to little development throughout the story, there are some round qualities about him. He acts as the stereotypical gentle giant and innocent friend. Where Raskolnikov is cunning, manipulative, and secretive,…
“But hardly had he succeeded in regaining a straight face than he glanced again, as if involuntarily, at Razumikhin, and broke down once more: the smothered laughter burst out all the more uncontrollably for the powerful restraint he had put on it before” (Dostoevsky 210). In an attempt to maintain his facade of an innocent man, Raskolnikov intentionally laughs at Razumikhin as they approach Porfiry’s door. Fearful that Porfiry will deceive him, Raskolnikov presents himself as a carefree man to dissolve any of Porfiry’s impressions. The calculated “involuntary” glances he shares with Razumikhin reveal the extent to which he can play the role of an innocent man (Dostoevsky 210).…
Arthur Schopenhauer stated “compassion is that basis of morality.” Compassion of oneself defines the morality that one presents towards others. Morality is perspective that could change during time because you start experiencing life. In the novel “Roxana or The Fortunate Mistress” the main character Roxana goes through changes of her perspective of morality. Roxana’s perspective of morality change from survive needs then to greed, but in the end she feels guilty of her actions.…
Due to the fact that he views himself as a superior being, Raskolnikov believes he has the right to murder the pawnbroker, but after doing so he is consumed by a guilty conscience and starts to rethink his superiority. Raskolnikov becomes unwilling to accept the fact that he might not be extraordinary, so he constantly tries to convince himself that the murder was justified. In this part of Crime and Punishment Raskolnikov represents the ideals of Nihilism and Utilitarianism. His relation to Nihilism makes him reject all meaning in life and create his own moral code, which leads him to carry out the murder. He doesn’t value family or relationships, and he rejects values and emotions.…
In the midst of a visit with his family on page 230 of Fyodor Dostoevsky’s Crime and Punishment, the moment arrives where Raskolnikov must confront the inner turmoil his murders cause, leaving him in such disconnect with his surroundings that he believes he will never be able to express himself with anyone. This inevitably paves the way for irreparable isolation and paranoia, driving him to confess his actions and begin a new life with honesty and love. A couple days after Rodya kills an old pawnbroker and her sister, his own mother and sister come to St. Petersburg, and Raskolnikov is halfway through a frustrating and hesitant dialogue with them when he realizes that his relationship with them, as well as with the rest of the world, including…
He is a student and is intelligent enough to create his Extraordinary Man theory and write an essay about it which was then published. However, there is a darkness in him , a darkness that caused him to commute a murder of an old woman and her sister. Others of Raskolnikov’s actions throughout the book prove his to be a good man; his concern for his mother and sister, his willingness to marry the daughter of his landlady, his generosity to Katerina Ivanovna, his love for Sonya, etc. In the end, he still committed a murder, and while this one action doesn't define Raskolnikov as a person, it still can suggest a part of his character.…