The Crucified Christ (1503-04) is a classical example of Italian Renaissance art. The piece illustrates, extremely effectively the Italian desire to make everything in which they paint beautiful, not matter how horrific the subject may be. Christ in this depiction, although, dead does not appear to have progressed into rigor mortis of any degree, Christ also appears to look peace in death in the Raphael painting, unlike in the Grunewald where distress is on Christ’s face is blatant. The way in which Christ is bleeding in Raphael’s piece is depicted with a degree of beauty, the bleeding is not messy, any blood coming from Christ, is delicately dripping into chalices held by angels on either side of Christ. This is a complete contrast with that of Grunewald’s depiction of the crucifixion, where blood is freely flowing down both his arms and legs.…