Textual Analysis: String Quartet

Improved Essays
Takacs Quartet Paper
For my last off campus performance, I attended the Takacs Quartet at the La Jolla Music Society on Friday December 9th 2016 with a couple friends from the music class. There were three main performances within the Takets Quartet. There was the String Quartet in G Minor, String Quartet No. 4, Sz. 9, and String Quartet in B-flat Major. The atmosphere was full of anticipation and excitement waiting for the symphony to start.
The first one piece that was played was the String Quartet in G Minor composed Claude Debussy composed during the Romantic period. The overall arching theme of this piece is joyous and the mood being optimistic. The very beginning of the first theme is what the whole rest of the piece is based off of and
…show more content…
4, Sz. 91 composed Bela Bartok during the modern period. This piece is made up of four movements: allegro con brio, Allegretto ma non troppo, Allegro assai vivace ma serioso, and allegretto agitato. The first movement lasts between four to five minutes and is the shortest of all Beethoven’s quartets but is integral to the piece because it helps build tension for the next movements. The second movement moves much faster than the first which gives off a rushed feeling and also relieves the buildup of tension from the first movement. The third movement is something entirely different than the first two in the sense that it is more folk like and doesn’t have a rushed feeling. The fourth movement is more alike the second movement because it is faster and it requires the same plucking that was used in the first movement. The finale mirrors the first and includes a slow introduction, however the majority of it would be characterizes at intense. At 5:11 the viola slowly opens up with a very minimalistic and soft tone, then the rest of the strings accompany the musician. At 6:00 a very beautiful and concentration-like melody is played with all of the strings playing in unison, creates an atmosphere of serenity. At 6:55 the sounds build up exponentially until they all begin to play a very solemn and sad tone. At 7:30 the entire composition of the song changes as the music is now played in a very somber state and very quietly. At 7:58 …show more content…
This quartet consists of six movements that lasts about 50 minutes total. The quartet is made up of a big first movement, four shorter inner movements, and the concluding movement. The movements are adagio, presto, andante, allegro, cavatina, and grande fugue. The first movement begins slow and it actually reappears later on in the piece. Most all of the pieces began solemnly and then recovery to a lighter tone. One of the most famous movements in all of Beethoven’s quartets is Cavatina because it is intense and leaves individuals awestruck. The conclusion begins with string instruments, the violin and cello. At 0:30 one of the violins split off and plays the main melody as a solo while the rest of the instruments quiet down and begin to play the bass notes in the background or continue as fillers. At 2:00 it is all incorporated into one complete melody. They all play different notes creating a beautiful harmony that intertwines these sounds together. At 3:00, they have begun to play in a minor key which resembles with a more somber form of playing. They also begin to speed up, the cello playing in quarters, while the rest of them playing in sharp eighths. At 4:00 returns to the main melody. All of them play the familiar sounds they have repeated once or twice already. At 6:00 the quartet sounds different because it has begun to sound flat, in a minor but

Related Documents

  • Improved Essays

    Two violins, one viola, and a cello played Joseph Haydn’s String Quartet, Op. 76, No.3 (Emperor), II in quadruple meter and in the form of one homophonic theme with four polyphonic variations. The theme is introduced by the entire quartet in an conjunct melody that has three unique phrases. The first phrase, “A”, is the first to be introduced and repeated a second time, “A-A”. Phrase “A” moves smoothly from mid to high in ascending and descending conjunct intervals and is repeated.…

    • 350 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    When listening to any piece by Beethoven, you receive the whole range of emotions, and the Fifth Symphony is no different. Just the first four notes, a simple da-da-da-dum, is enough to send shivers up your back. Packed with all the furious confidence of Beethoven, it suggests scarlet eruptions, heavenly processions and all the powers human drama. These four notes started the memorable first movement.…

    • 321 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The 1st movement is kind of Sonata-Allegro form. The opining melody of the first movement was soft and slow with a touch of melancholy and I love this type. It starts with a softly-lovely flute and then the violins with strings accompanying. The violins are way up in the high part of their pitch which making it more refreshing. The tempo is not fast at the beginning, but then it become faster a little bit with violins.…

    • 670 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Concert Reflection Essay

    • 808 Words
    • 4 Pages

    This piece is called “Cello Suite No. 3, Op. 87”, which consisted of nine movements. The first movement, “Introduzione: Leno” was performed incorporated intense fast paced speed accompanied with numerous different bowing techniques, such as pizzicato and double stops, fingering with the right hand, and a staccato resulting in shorter sounds or spiccato, where the strings are struck by the bow. The piece opens up with extreme acceleration and transitioning to a softer sound. The performance moved on to the third movement, “Barcarolla: Lento” and sixth movement, “Fuga: Andante”, where Johnson played with pianissimo and sharper sound, starting slow then speeding up and returning to the same or a newer paste throughout the piece. Moreover, the mood begins with a melancholic and continues with dark, depressing phase highlighted by its ever-changing intensity and changing texture.…

    • 808 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The nasal feeling of the muted trumpet with the lyrical playing of the upper woodwinds allows for there to be an undulating effect happening with continuous build until its final release into the next portion around 6:20. This section repeats the opening motive throughout and it passed around typically having a contrasting interjection from an opposing section. This ensemble in particular does a great job at being stylistic in complex meter changes and they really emphasize a difference between chordal textures and pointed…

    • 471 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Concert Report #2 For my second concert report I attended the Colorado State University Honor Band recital. This was help December 12, 2015 at the Griffin Concert Hall. This concert was a collective group of honor band students from a variety of Colorado high schools and home schooled students. A range from freshmen to seniors.…

    • 726 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Elvira Madigan

    • 736 Words
    • 3 Pages

    OBSERVE MUSIC Concerto No. 21 in C major for Piano and Orchestra, K.467, second movement is also known as “Elvira Madigan“; named from a Swedish film and was used at length on that sound track. The graceful, slow movement would sooth any beast with its rhythmic resonance and graceful rhythm. This classical piece still entices a longing to close the eyes and listen to the swaying beats as the mind wonders through the ebb and tide of this musical dynamic. Movement no.2 starts with many instruments playing in unison as a background of cellos and bass drone a pattern.…

    • 736 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Beethoven, again only introduced the first movement: I. Allegro Moderato. Dr. Yu-Mei Huang (violin), Brendan Townsend (cello), and Dr. Fritz Gechter (piano), were an all absolutely outstanding trio and show cased a beautiful composition of Chamber Music. As being recognized as a student of Dr. Huang’s, it is a great honor to watch her play, the perfect pitch of the notes she plays are so pleasing to hear and her bow stroke is like watching a napkin tied to a string gracefully flying in the air. Professor Townsend’s ability in playing the cello gives off great satisfaction; the way the cello is able to drag out the duration of a notes’ pitch is so beautiful and comes together with the violin nicely. Dr. Gechter’s verse on piano is played throughout the entire piece, allowing the listener to hear the melody throughout the instruments while they work along sides each other transferring the melody to one…

    • 826 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    1 in D major, “Titan,” was performed next. It was much longer in duration than the first piece. It showed uniqueness in that it incorporated everyday sounds into the music, such as bulge calls, bird songs, and dance tunes, which provided for a very wide variety of tone colors. The symphony began with a thick-textured undertone in the strings and a two-note “hunting call” in the woodwinds, which persisted throughout the piece. Also present was a bright fanfare in the trumpets, followed by a light descending melody played by the entire orchestra.…

    • 660 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Western musical literature is both extensive and impressive. It was shaped by the different eras of style music goes through. The first piece the orchestra performed was Beethoven’s Violin Concerto in D major Op. 61 (1806). The piece consists of three movements: Allegro ma non troppo, Larghetto, and Rondo: Allegro.…

    • 822 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Not true, as the following eleven measures grow to a powerful fortissimo only further asserting C minor’s dominance and ultimate victory. The first movement of Beethoven’s string quartet Op. 18 No. 4 is an example of a sontata form that Hepokoski and Darcy would refer to as a failed attempt at emancipation from the original minor mode presented in the P theme. Overall, the movement represents the narrative of a tragedy in which we, as listeners, identify with the buoyant major mode presented in the S theme in opposition to the ever-driving, somewhat oppressive minor mode.…

    • 2169 Words
    • 9 Pages
    Superior Essays
  • Improved Essays

    The Classical Period and The Romantic Era of classical music have many similarities and differences in form, texture, and articulation. Ultimately, the Classical period is known better for being extremely structured, usually having binary or rondo form, whereas the Romantic era is known for the more flowing, unorthodox structures. This is because the Classical period focused more on form, whereas the Romantic period focused on emotion. Also, the Romantic period allowed for the use of rubato, or the forward and backward motion of tempo that strays just a bit from conventional tempo. The Classical period is different in regards to tempo because it does not allow for any rubato or modifications to the tempo in any kind.…

    • 812 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The orchestra consisted of instruments such as violins, violas, cellos, and flutes, that helped create an allegro moderato orchestral introduction. This being Mozart’s first Violin Concerto, it is very important that he begins his work in this way, showing progression in his creative career. It demonstrates the transaction between some of his first piano concertos, to his new development of mastering the art of the violin. This charming and energetic introduction then leads to the adagio movement; a slower flow. Hsuan-…

    • 692 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    111, I found the first movement to be extremely interesting, especially because of the time signature that it was written in. It appears that the first movement is written in 9/8, which I was not expecting to hear. The first movement puts a lot of the focus onto the cello, which I enjoyed listening to. The sound of the cello was prominently featured, which I enjoyed. It seems that the violins imitate the sound the cello is producing about twenty seconds into the piece, which creates almost a call and response type of effect.…

    • 820 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Shostakovich Analysis

    • 430 Words
    • 2 Pages

    Dimitri Shostakovich was born in in St. Petersburg, Russian on September 25, 1906, and died in Moscow on August 9, 1975. He wrote this cello concerto no. 2 Op. 126 in the spring of 1966, specifically for Mstislav Rostropovich who was a celebrated cellist and a dear friend. The state Academy Symphony Orchestra of the USSR gave the performance on September 25, 1966 to celebrate Shostakovich’s sixtieth birthday. It was recorded live in the Large Hall of Moscow State Conservatory.…

    • 430 Words
    • 2 Pages
    Improved Essays