This concept is so important to Bell's way of critiquing artwork that he not only wrote a paper about but use it to influence what we now call Modern Art. His argument reflects the Modernism movement in the name of “art for art's sake” in many ways.4 One of the artworks that Bell might approve to have “significant form,” is one of Franz Marc's artworks.5 The painting is called “Large Blue Horses,” was made in 1911 and made out of oil.6 The reasons why Bell might consider it meeting his standards is because the colors bring out the aesthetic emotions and the significant forms being the horse helps make the painting have movement. The artwork that Bell would not appreciate
This concept is so important to Bell's way of critiquing artwork that he not only wrote a paper about but use it to influence what we now call Modern Art. His argument reflects the Modernism movement in the name of “art for art's sake” in many ways.4 One of the artworks that Bell might approve to have “significant form,” is one of Franz Marc's artworks.5 The painting is called “Large Blue Horses,” was made in 1911 and made out of oil.6 The reasons why Bell might consider it meeting his standards is because the colors bring out the aesthetic emotions and the significant forms being the horse helps make the painting have movement. The artwork that Bell would not appreciate