The Veil Of Veronica Analysis

Improved Essays
Domenico Fetti was born in Rome in 1589. His father was a painter as well; growing up with an artistic father sparked his artistic nature (Fetti, Domenico). Fetti adopted a style that illustrated religious stories. While in Rome, c.1618/1622 using oil on a panel, Domenico Fetti created the painting The Veil of Veronica. In this painting, the artist uses neutral colors, the primary color red, emphasis and visual texture to convey a sense of realism and suffrage, thus representing the medieval legend of the veil.
Seen, in this painting is a dark black background with a wooden post. Hanging from the wooden post is a long, white cloth like fabric. The white cloth like fabric has a texture of folds and fringes. In the center of the white cloth fabric there is the face of Christ. Christ has long brown/rust color hair, with a rust/brown color stick woven head band. The stick woven head band has a texture of rough, sharp sticks. In the middle of Christ’s face and head band is a silver nail, nailed through his flesh, causing red color blood to drip down his face.
Fetti’s use of visual elements of art illustrates to the viewers the anguish and destress Christ felt during that time. He used actual lines in this painting to create the face of Christ. Geometric shapes such as rectangle to create the cloth/sheet and
…show more content…
To communicating the medieval legend, Conceptual Unity was used by illustrating the cloth and Christ’s face painted on the cloth. In this painting the veil shows a sense of motion within its deep folds and creases. With the use of contrast and the primary color red dripping, focuses the viewers gaze to Christ’s face. Asymmetrical Balance is also seen in this painting, visually with the balance of the small darker values and shades of Christ’s face to the large lighter values of the cloth. Christ’s face is placed in a distance compared to the large white cloth indicating that the face is very

Related Documents

  • Improved Essays

    Wilthia Spann Analysis

    • 705 Words
    • 3 Pages

    Critical Analysis- Wilthia Spann The Virgin of Jeanne d'Evreux is a large gothic-style sculpture that was created in between 1324 to 1339. It was created in France and it was donated to the the abbey church of Saint-Denis by the Queen of France, Jeanne d'Evreux. It is a silver-gilt and enamel piece with the height of 2′ 3 1/2″ high. There isn’t any known record of the artist who actually built the sculpture, but it is known that they were a goldsmith.…

    • 705 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Parmigianino Analysis

    • 451 Words
    • 2 Pages

    The painting holds eight subjects. From left to right there stands a group of young spectators. An androgynous individual that stands in front of the group while raising a jar. It is said that he represents Saint John the baptist. These subject are gazing towards the center of the painting, where the virgin Mary is holding baby Christ on her lap.…

    • 451 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    The medium used (oil) allowed the painter to make very realistic shades and colors. The figures and landscape in the painting also looked very fluid and real due to the use of the oil paint. The painting contains the Virgin Mary, the baby Jesus and his second cousin St. John the Baptist. The painting foreshadows the death of Christ on the cross. This point is displayed in the action of the painting where St. John is handing Jesus a small cross and Mary is looking upon it knowing what is to…

    • 946 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Preacher Jonathan Edwards was able to give a sermon that greatly impacted others. Despite his monotonous voice and actions, he was able to strike fear into the hearts of many Puritans, solely through his diction and elaborate use of imagery. The figurative language present throughout his speech could have been represented in several ways, including an image based on his descriptions of the human relationship with God. There were many sketches that illustrated the speech by Jonathan Edwards very well; however, one sketch in particular accurately brought the speech to life.…

    • 536 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Renaissance Art Dbq

    • 671 Words
    • 3 Pages

    6. The Renaissance was not restricted to Italy. It spread to northern countries such as France and Germany. One of the cities that benefited greatly from the Renaissance was Burges. The city Burges is in the Flemish region of what is now considered Belgium.…

    • 671 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    During the Renaissance period of the 14th to 17th century, art and architecture between Northern Europe and Italy were both similar and different in many ways. From the detailed work of everyday life of the North to the Neoplatonic allegories of Italian work, the Renaissance was a time of transition and strength. The most dominant similarity between Northern European and Italian Renaissance artwork lies behind the meaning of humanism. During the Renaissance, there was “rebirth of culture”; a shift towards people acknowledging human achievement. In religious pieces of art, Jesus was seen as less Godly and more human-like with emotion.…

    • 803 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Jonathan Edwards

    • 540 Words
    • 3 Pages

    This correlates with the fact that Jonahthan Edwards was raised in Connecticut, in which many English churches were located, and adapted quickly to Christianity. Overall the artist used color to their advantage to craft an emotional loaded connection to the viewer. The background of painting is mainly composed of the color brown, which tends to represent God’s earthly domain. This empowers the idea that God is all encompassing. Furthermore the images painted show the cause and effect in the damnation of men and the select salvation of a few, this provides a persuasive and logical explanation that convinces the viewers to adhere to Johnathan Edwards passionate sermon.…

    • 540 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    To think that I would have a completely different way of thinking about my daily activities from research of a painting of “The Garden of Earthly Delights” by Heironymus Bosch, this painting is a part of our first year read book that is brought up on many occasions by Frans Dee Waal who relates it back to the Bonobos. This painting required much time looking at and much research. To me this painting has made me come to think so much about temptations that we fight in our life, to me as a college student there’s so many temptations that I fight everyday, They are displayed in the painting through fruits there is a bramble bush that grows black berries, a pelican feeding its young, men holding fruit with a stroke’s head, they represent that temptations are all around us, they can consume us and they will make us weak. To give some background on the painting, the painting is a triptych, which were made for religious purpose and placed on a alter in the churches, but if you when you are to look at this painting you don’t see that…

    • 1768 Words
    • 8 Pages
    Improved Essays
  • Improved Essays

    It was 12 feet tall, painted with tempera, along with gold thin lines throughout the painting that show great importance. The virgin Mary holds the child on a giant throne that is surrounded by angels. Mary, Jesus and the angels have golden painted light behind their heads which resembles their halos. This shows how sacred and holy these individuals are in the painting. Beneath Mary and Jesus in these arch ways are the four Hebrew prophets, they have expressions of concern and wonder.…

    • 895 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    In this paper, one will describe the oil painting Madonna Enthroned. The central figure of this piece, as indicated by the title, is the enthroned Mary. Mary is grasping her son Jesus and is flanked on both sides by a number of angels. Below Mary and the angels is four elderly men, two of whom are divided by columns of the throne. Beginning with Mary, one immediately notices her halo as highlighted by numerous red, white, and darker red stylized jewels.…

    • 679 Words
    • 3 Pages
    Improved Essays
  • Great Essays

    The two artists present the paintings in a classical manner that enables the audiences to relate to them by evoking their religious feelings. The paintings are symbolic of the Biblical transformations that took place at the…

    • 1478 Words
    • 6 Pages
    Great Essays
  • Improved Essays

    The Renaissance was an age of learning and revival of classic Roman and Greek art and culture. Paintings of the Renaissance often focused on religion but also focused on creating realistic humans. In 1518 the Renaissance painter Titian completed his masterpiece “The Assumption of the Virgin” for the altar Santa Maria Gloriosa dei Frari Basilica in Venice. The piece is a depiction of the Virgin Mary rising from Earth into heaven through angels taking her away from the Apostles and towards God. The painting promotes the idea that the Apostles, the Virgin Mary, and God are powerful, religious, and it promotes the Catholic Church.…

    • 1195 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    In the mid ground of the painting, “…they appear again, kneeling in a courtyard in adoration of the newborn Christ”("The Arrival in Bethlehem."). The…

    • 865 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Each component of the painting is essential in completing the visual narrative. Dominance is exhibited in the main figure of St. Clare. The full frontal stance is typical of Byzantine style art; however, what makes it dominant is the life like size of the portrait, Even though there is a lot going on in this picture, the central portrait seems to draw the attention of the viewer. Appropriate symmetry cannot be overlooked in this pictorial.…

    • 792 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    The Crucified Christ (1503-04) is a classical example of Italian Renaissance art. The piece illustrates, extremely effectively the Italian desire to make everything in which they paint beautiful, not matter how horrific the subject may be. Christ in this depiction, although, dead does not appear to have progressed into rigor mortis of any degree, Christ also appears to look peace in death in the Raphael painting, unlike in the Grunewald where distress is on Christ’s face is blatant. The way in which Christ is bleeding in Raphael’s piece is depicted with a degree of beauty, the bleeding is not messy, any blood coming from Christ, is delicately dripping into chalices held by angels on either side of Christ. This is a complete contrast with that of Grunewald’s depiction of the crucifixion, where blood is freely flowing down both his arms and legs.…

    • 1334 Words
    • 6 Pages
    Improved Essays