Yong-Jin recreates them in monochrome colors (black and white), brown, with the exception of the fruit and flower petals themselves, which Yong-Jin inks with their respective color on Earth (Yong-Chin Kim 2). With the simplistic way each cluster of plants the artiste displays, a person may glance over and see the simple plants and nothing more. They do not see the complexity of details that our artisan has seen in person. They do not see the complexity of the living product. Kim Yong-Jin’s art also had a purpose to relieve troubled people from their stress to just view the natural beauty of the world, one without violence and
Yong-Jin recreates them in monochrome colors (black and white), brown, with the exception of the fruit and flower petals themselves, which Yong-Jin inks with their respective color on Earth (Yong-Chin Kim 2). With the simplistic way each cluster of plants the artiste displays, a person may glance over and see the simple plants and nothing more. They do not see the complexity of details that our artisan has seen in person. They do not see the complexity of the living product. Kim Yong-Jin’s art also had a purpose to relieve troubled people from their stress to just view the natural beauty of the world, one without violence and