The song is from the Bebop era, and I believe it is a 12-bar blues, but I am unsure because the chord progression seemed to be longer than just 12 bars. The first thing that I noticed about this piece was how the band played slightly louder and that there was more emphasis on the trumpet compared to the last two songs, which emphasized the trombone a bit more. The syncopated rhythm, combined with the trombone’s harmonics, helped promote a swinging sensation during the main theme. Also, when the solo improvisations started with the piano, which sounded a bit simplistic, I noticed that the piano had rarely done anything noticeable since its other solo in “Doodlin’,” and continued to be so unused that the pianist had her right, non-playing hand on her lap for most of the performance. Otherwise, I thought that the piano and drum solo at the end were very powerful.…