The Virgin Mary is shown as being divine by the large, golden
The Virgin Mary is shown as being divine by the large, golden
The piece can now be seen in Louvre Museum in France. The subject of the piece is the Virgin Mary and Jesus Christ as a baby. During that 13th century, the Virgin Mary was favored to being the subject of many artworks. The piece represents the passion of love that Mary has for her son.…
The painter Parmigianino, in his art piece, Madonna with the long neck, captures a fused narrative that comes from another art piece, “Vision of Saint Jerome”. The piece portrays the virgin Mary holding a young baby Christ. The piece is an oil painting that measures 7 by 4 feet, and was created between the years of 1534 through 1540. Unfortunately the piece was never finished because the artist became deceased.…
Because of the title of this work we know that depicted are the Christ child carried by the Virgin Mary with a female saint embracing the child along with Saint John the Baptist as an infant to the right. Titian placed the figures in a pyramidal structure around the Christ Child so that one’s eye focuses on the Christ Child. In addition, although Saint John the Baptist is not physically in contact with the other three figures, his strong exchange glance at the child brings him together. Work seems balanced since the Virgin Mary, the female saint and Saint John the Baptist all look toward the Christ Child. In this painting, Tiziano Vecellio…
The most detailed aspects of Virgin and Child are the creases in Mary’s clothing and her and Jesus’s hair. The facial features and the crown are not clearly defined, but they could potentially just be worn with age. The lines that compose the fabric of her dress are shallow and smooth creating a soft depiction of her clothing. The shadows that these lines allow are faint in most areas, with a pretty even light source on it. There a few spots with darker shadows, but for the most part, they are delicate.…
Cimabue’s and Giotto’s Virgin and Child Enthroned altarpieces were large in scale with Cimabue’s standing at 12’ tall and Giotto’s at 10’8” tall. They both applied gold coloration in their backgrounds representing a sense of divine radiance. The subject matter painted was a common Byzantine iconographical theme of Mary with the infant Jesus on her lap surrounded by saints, prophets and…
In the Straus Madonna painting, The mother held the child close to her chest, tucking him from his buttocks with a sense to protect the child. Their heads tilt slightly to the right of the painting in sync, and the child leans lightly on her mother, holding her index finger. This posture evoke a very specific emotional bonding between the Mother and the child as they are packed together tightly in the same direction. The gentle grasp of the child on her mother’s finger evoke a strong sense of connection between them, and also hint on the softness or gentleness of the child. In Romano’s Virgin and the child, the subjects appears to be emotionally closer and evokes a slightly more whimsical and playful feeling.…
A curvilinear type of geometrical shape is seen on Virgin Mary’s head. Also there is a straight geometrical shape on the table the mother is sitting on. The artist might have decided to use a dark setting which is a better foil for the subtle modelling of his figures. There is a V-shape where the mother bends her head, looking at her baby which implies a negative shape. The braiding of the edges of Virgin Mary’s hair depicts texture.…
In early Renaissance art, artists had a tendency to use the same biblical stories or themes in their artwork. One in particular is the Virgin and Child Enthroned, it was painted by two different artists, thirty years apart from each other. In the year 1280 the first Virgin and Child Enthroned was painted by Cenni Di Pepi, also known as “Cimabue.” (M. Stokstad, 536) The second Virgin and Child Enthroned was painted by Giotto Di Bondone in 1305-1310.…
“The Virgin of chancellor Rolin” by Jan van Eyck This is a formal analysis of “The Virgin of Chancellor Rolin” by Jan van Eyck. This painting was created in 1435 and resides at the Louvre Museum in Paris, France. It is painted on an oak plank with oil paints, and was created during the renaissance, a time of re-birth of Classicism, idealistic figures and naturalism, also to include a sense of reason and mythology, but Eyck was not your traditional renaissance painter. Eyck’s painting of the Virgin Mary and Chancellor Rolin contains the Classicism of the Renaissance as well as ideas of symbolism and order.…
Johnson 1 The artist I selected from was Sister Mercedes because her artwork stood out to me and it more meaning than the other ones. Sister Mercedes was born Marija Mickevicius in Chicago. Marija Mickevicius study at Casimir Academy, DePaul University graduating with a Ph.B. degree. Later on she attended Rosary, Alverno, and Cardinal Stritch Colleges to study art.…
In ancient Rome, it was an important aspect of religion that governed the Roman ways of life. It meant devotion, duty or loyalty to the gods/religion and others especially the family. The Roman ideals and virtues. A physical representation of pietas can be found on coins used in ancient Rome. It came across as a woman holding a branch of a palm tree on the one hand, and on the other, holding a specter.…
Also, the two figures can be indicated to be important how everyone’s heads are focused on them. Yet, the child in the middle represents the Virgin Mary at 3 years old with a bright yellow like mist around her. This yellow light represents either divinity or the essence in purity from the 3 year old child. Coloring of the foreground is in a yellow hue and the backgrounds are faded to mostly blue. The axis of the art stays in horizontal display except for the building which can be placed in a horizontal property.…
Virgin and Child Enthroned, was painted in the Thirteenth century, at time that everything was explained through the church, and peoples spirituality, were incredibly important. So in Thirteenth Century paintings, the holy figures were meant to make you feel small, they even painted Christ as a small man, to respect his role. This way of thinking was extinguished when the plague hit, and afterwards, people started to focus on things other than the church, the human experience. Thus there was a revival of ancient philosophy, and art of the Greeks and Romans. Humanism, a philosophy surrounding the human experience, and the beauty of earth, influenced Renaissance art.…
The Altarpiece of St. Clare: A Visual Biography The Altarpiece of St. Clare was created by an anonymous artist around 1280. The media used in this piece are tempera paint and wood. This was a common choice among artist during the middle ages.…
During this course, we have learned many styles and eras of art from 1200 to 1900. In this class, we also act as art historians, so we consider; how old the painting is, what is the style of the work of art, what is the subject, who made it, and who paid for it. These questions help with the understanding of why the art was made and find the era that the art belongs. We have studied many styles and eras, and I believe this painting, Madonna and child, was created in the late medieval period, perhaps in the early thirteen-hundreds. The painting is from the early renaissance in Florence, Italy.…