While for a moment the scene that she encounters seems to be too good to be true, she is confronted with the painful realization of the implications of her sexual identity (Higson & Mullan, 2002). She has the opportunity to escape for good, but the young man who offers her a ride makes a remark about how she must be from “in there”, referring to the Magdalene Asylum, and says that they must be taking in “loonies” now (Higson & Mullan, 2002). This scene is extremely powerful, because Margaret realizes the social implications of her sexuality. Because she has been metaphorically branded with the label of sinner and seen as sexually promiscuous, she seems to realize in that moment how strong the social implications of that are. If she were to go to the nearest town, everyone would know where she came from, and would see her only for her
While for a moment the scene that she encounters seems to be too good to be true, she is confronted with the painful realization of the implications of her sexual identity (Higson & Mullan, 2002). She has the opportunity to escape for good, but the young man who offers her a ride makes a remark about how she must be from “in there”, referring to the Magdalene Asylum, and says that they must be taking in “loonies” now (Higson & Mullan, 2002). This scene is extremely powerful, because Margaret realizes the social implications of her sexuality. Because she has been metaphorically branded with the label of sinner and seen as sexually promiscuous, she seems to realize in that moment how strong the social implications of that are. If she were to go to the nearest town, everyone would know where she came from, and would see her only for her