Nora is a device, which Ibsen uses to embody “the comedy as well as the tragedy of modern life” (Templeton 28). At the start of the play, Nora seems content in allowing her husband and society to rule her life. Throughout the play, Nora becomes more self-aware. She comes to realize that her marriage was built on lies, and because of her husband’s control of her life, she does not know who she truly is inside. As Nora leaves, she moves towards an ideal in which women have the ability to discover themselves and obtain their own freedom. Though it was not Ibsen’s intention, this ideal became a reality for the women’s movement, and “A Doll’s House” inspired many feminists. “In closing the door of her husband and children, Nora opened the way to the 19th century women’s movement” (Hossain 3). As a strong, independent woman, Nora brought to life the chaos of everyday life and the faults of
Nora is a device, which Ibsen uses to embody “the comedy as well as the tragedy of modern life” (Templeton 28). At the start of the play, Nora seems content in allowing her husband and society to rule her life. Throughout the play, Nora becomes more self-aware. She comes to realize that her marriage was built on lies, and because of her husband’s control of her life, she does not know who she truly is inside. As Nora leaves, she moves towards an ideal in which women have the ability to discover themselves and obtain their own freedom. Though it was not Ibsen’s intention, this ideal became a reality for the women’s movement, and “A Doll’s House” inspired many feminists. “In closing the door of her husband and children, Nora opened the way to the 19th century women’s movement” (Hossain 3). As a strong, independent woman, Nora brought to life the chaos of everyday life and the faults of