The Baroque style in which Rubens painted was characterized by its blend of representational drawing technique of the Renaissance and the emotional intensity exhibited in Baroque art. 'The Rape of the Daughters of Leucippus' is full of emotion, as would be the event it is trying to portray. Through contrasting …show more content…
This connection was central to the Catholic devotional treatise. By the early seventeenth century, ecstasy and death was a combination vital to Catholic devotions. Bernini clarified the nuptial content of Ludovica’s ecstatic death by placing two large, flaming hearts at her feet and head and carving a third heart into the façade of her sarcophagus. Although the sacred heart and burning heart both are common in medieval spirituality, they emerged as important visual motifs in the 1600’s Baroque art. In his triumvirate of hearts in the Altieri Chapel, Bernini also allegorized Ludovica’s burning, consuming devotion. Death and union with the divine was an essential aspect of the extended metaphor of fire and consumption., burning, and consumption. Ecstasy and death were closely linked in a mystical marriage, and death were all closely linked in piety. ‘Blessed Ludovica Albertoni’ is very religious in theme and style and signifies how important religion still was in everyday