Michelangelo's The Last Judgement Analysis

Improved Essays
Since the Renaissance period, many things have changed, from the way we act and the way we dress, but one thing that has not changed is our appreciation for art. Art, then and now, captures the worries and problems that are going on in the World around us. Michelangelo’s “The Last Judgement” (1536-1541), has many scenes within the painting that show the people’s facial expressions, mostly of worry, for whether or not they will be sent to Heaven or Hell. Michelangelo (1475-1564) just may as well be one of the greatest Italian artists of the Renaissance period, creating some of the most creative and inspiring artwork during his lifetime. Looking at all of his paintings and sculptures, one can definitely tell that his artwork is very detailed …show more content…
In Michelangelo’s “The Last Judgement”, there are at least eight scenes where many people are working, waiting, and hoping to get sent to Heaven rather than the Hell. “The Last Judgement”, although in a few ways biblical, the painting also deviates from the Bible as Hell is not wanted or tolerated in the church. This is shown in the Bible as part of Luke 13:23-28, “...Then said one unto him, Lord, are there few that be saved? And he said unto them, Strive to enter in at the strait gate: for many, I say unto you, will seek to enter in, and shall not be able.” For many, there is a point of no return for being able to make into that golden place known as Heaven. The people try and try to make themselves in a way “good” again by doing anything anyone asks. Christ wants nothing less than to send people to Heaven but if one cannot abide by all of his rules then he will not send them to that place. In the painting, it is very easy to pick out Jesus Christ and Mary since the two are located in the middle of the painting as well as there is some sort of glow shining behind them. Like many of Michelangelo’s paintings, the people are nude or lightly clothed. This shows that everyone is different in their own ways, whether that means their body shape, personality, or …show more content…
In “The Last Judgement”, Michelangelo, had pretty much everyone at a nude as a way to not show rank, and to portray the saying that “everyone is created equal”. In addition to their imperfections and rank, the people’s faces and scenes also show their passion. Passion is another object that is very hard to portray in paintings and sculptures that Michelangelo captures very well. Michelangelo shows passion in “The Last Judgement” with the many scenes of the population trying their hardest to gain Christ’s approval. Resurrection is supposed to be universal, so every single person must face their “Last Judgement” with Christ, which is why the painting shows so much movement and activity between the people. This painting depicts all of mankind’s redemption period, and has universal appeal among the people and the world fills with hope to be redeemed by Christ. Throughout the painting, spectators can see that the people within the painting are holding on to one another either for comfort and support or out of anger trying to push the others away in order to get redemption from Christ. When looking at Christ in the painting, one can see that his two hands are facing two different directions, his right hand is facing up, as in a way pushing the people towards the top to Heaven, and his left hand is facing down pushing the people

Related Documents

  • Improved Essays

    The Crucified Christ (1503-04) is a classical example of Italian Renaissance art. The piece illustrates, extremely effectively the Italian desire to make everything in which they paint beautiful, not matter how horrific the subject may be. Christ in this depiction, although, dead does not appear to have progressed into rigor mortis of any degree, Christ also appears to look peace in death in the Raphael painting, unlike in the Grunewald where distress is on Christ’s face is blatant. The way in which Christ is bleeding in Raphael’s piece is depicted with a degree of beauty, the bleeding is not messy, any blood coming from Christ, is delicately dripping into chalices held by angels on either side of Christ. This is a complete contrast with that of Grunewald’s depiction of the crucifixion, where blood is freely flowing down both his arms and legs. Other figures in the Raphael painting, St Mary Magdalene, The Virgin Mary, St Jerome and John the Evangelist, appear to be somewhat relaxed in Raphael’s depiction of the crucifixion, all figures in the piece appear beautiful and calm despite the situation, which highlights the Italian desire to ensure beauty and perfection within their…

    • 1334 Words
    • 6 Pages
    Improved Essays
  • Superior Essays

    As shown in the pictures above, he was a wonderful sculptor and painter. Not only was he talented, but he was also a very diverse thinker. He created works of art by using non-traditional ideas and methods. Although he was greatly influenced by the artistic movement at the time, his own style in turn influenced later artistic movements. A majority of his works gained much attention because many of them depicted humans, often nude. He idealized the human form and considered it to be ideal in art. He brought out the beauty and life of a human sculpture by making it exotic and dramatic. Michelangelo portrayed the naked body in all of his artworks, with each work gradually getting more complex and intense. He continued practicing his style throughout his entire life and in result he had a direct influence on the later style of mannerism. Which is a style where artist create a sculpture in the form of complex and exaggerated poses, to portray drama and emotion as well as idealizing the human form, much as Michelangelo did with his figures. My favorite work of Michelangelo is Last Judgment. It shows how creative and intensely spiritual Michelangelo was. He believed in his work and you could really tell in this masterpiece. I like this work of his the most because it is different. He created many sculptures, but never a fresco painting like this. This painting was on the wall and ceiling of the Sistine Chapel, that…

    • 1497 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    Michelangelo was one of the leading figures of the Renaissance during the late 15th and the first half of the 16th century. He was primarily a sculptor, but he was very talented in paintings and poetry. His talents were so apparent, that he earned the attention and patronage of Lorenzo de Medici, the leader of the Florentine Republic. The background of Michelangelo’s early life would play a large role in his rise to becoming a famous Renaissance artist.…

    • 370 Words
    • 2 Pages
    Improved Essays
  • Improved Essays

    Art is very important to people especially when it represents spirituality. It adds a strong connection between the artist and the viewers on something they both agree on. Art in the early Renaissance was mostly about spirituality, but as time passes by, artists paid less attention to spirituality, and they started adding other themes to art. I intend to show that The Last Supper by Leonardo da Vinci, represents the scene of The Last Supper of Jesus with his disciples. Da Vinci has depicted the horror in the 12 disciples’ faces when Jesus announced that one of them would betray him. The Elevation of the Cross by Peter Paul Rubens features a central panel that displays the difference…

    • 1362 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    During the Renaissance period of the 14th to 17th century, art and architecture between Northern Europe and Italy were both similar and different in many ways. From the detailed work of everyday life of the North to the Neoplatonic allegories of Italian work, the Renaissance was a time of transition and strength. The most dominant similarity between Northern European and Italian Renaissance artwork lies behind the meaning of humanism. During the Renaissance, there was “rebirth of culture”; a shift towards people acknowledging human achievement. In religious pieces of art, Jesus was seen as less Godly and more human-like with emotion. Humanism prevailed and artists began to show this change.…

    • 803 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    Each of us has our own opinion of what a "Renaissance man" truly is. Some say he is a perfectionist in one subject, others say he is knowledgeable in many areas but master of none. People like Leonardo da Vinci, Albrecht Durer,woodcut printer, and Michelangelo have all been acknowledged as great leaders of the Italian renaissance; they each brought something unique and extremely amazing to the art world. Michelangelo, being said as equal to da Vinci, brought his own style and technique into the public eye and changed the Renaissance with his originality. Michelangelo was born in 1475 and died in 1564(“Michelangelo” para.1).…

    • 103 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    The painting shows the last meal shared by Jesus with his disciples, before his capture and death. Leonardo chose to paint the moment when Jesus has said "one of you will betray me", so the painting have name The last supper. Leonardo tells the story of the surprise and upset that this caused to the twelve followers of Jesus. My favorite feeling in this painting, I think this painting has feel of the people in painting. Some of them are talking, some of them have stood up, and some are raising their hands in horror.…

    • 519 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Michelangelo’s David is a great example artists were influenced by ancient Greece and Rome art, the sculpture is well proportioned, the athletic body of David and the realistic look. His sculptures reveals the beauty of human body, which is a characteristic expression of Humanism during the High Renaissance period. At that time, people were just extricate from the Middle Ages, which were often referred to as the “Dark Ages”. People started to recognizing the power of human, therefore, praise the beauty of human body is a kind of “renaissance” for ancient Greed art. The importance of human, the power of human, the liberation of ideology were all reflected on the art works people created at that time.…

    • 399 Words
    • 2 Pages
    Improved Essays
  • Great Essays

    “His brow is furrowed; the tendons in his neck are taut, as are the muscles in his nose and lips; and his eyes are focused on something in the distance. Despite this mental concentration, he stands in a relaxed contrapposto position, with his sling casually thrown over his left shoulder. This combination of intense expression and calm pose is intended to capture the short period between the decision to fight and the fight itself” (Collins 1). Michelangelo represents David not as a victor, but as a thinker when he had to choose between conscious choice and conscious action. He chose “to undertake great challenges in the face of seemingly impossible odds” (Sandstead 1). In the statue David, Michelangelo made his right hand bigger than the left to draw attention to the stone as a symbol of his courage and strength. David is a Renaissance piece and during that time there was a new age in thinking as well as art. The detail put into the piece became an astonishing view due to the preceding medieval period. In times past, all paintings and sculptures depicting the human form were shapeless, lacked detailed, and the hands and face were solely…

    • 1461 Words
    • 6 Pages
    Great Essays
  • Great Essays

    Leonardo da Vinci and Raphael both formed the iconic dyad of the epitome of Renaissance art. In Leonardo da Vinci’s Madonna of the Rocks as well as Raphael’s rendition of da Vinci’s painting Madonna in the Meadow, a religious scene is depicted with Madonna gazes towards an exchange between Saint John and Jesus Christ in infantry as she realizes the grave future that Christ faces. While both paintings feature the same biblical figures in similar fashion, Raphael’s rendering takes on a brighter and lighter tonality and clearer disposition unlike Da Vinci’s more sullen, hazy, and darker painting. Nonetheless, both paintings portray an air of spirituality.…

    • 1276 Words
    • 6 Pages
    Great Essays
  • Improved Essays

    It is important to skeptical in science as well as in art. Although Leonardo has a secular attitude towards art and science, he understands the role of art in both science and the secular world. Unique social political and social influence caused Leonardo to combine science and art. It is however necessary to have a different view about science. There was a powerful and superb sense of self in Rome that makes art more than mere decorations. Despite our personal views, paintings, sculptures, places, and churches reflect worldview and civic identity. In the “Last Supper,” Leonardo shows monumental simplicity (Bondanella and Musa 48). His composition is masterful. He strikes the contrast of the disciples’ attitudes as counter posed to that of Christ. Instead of choosing the portrayal of Judas as customary in the iconographic tradition, he portrayed the moment of highest tension in the New Testament as in the bible, “One of you that eat with me will betray me." The painting shows that only Judas shares his secret knowledge. Leonardo’s simple arrangement of individuals shows different gestures and mimicry. He maintained the height of expression and attained the right model for the painting. This painting influenced other artists such as Rubens and Rembrandt since they caught the psychological state of Leonardo’s state of the…

    • 860 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    Everyone knows what the last supper was it was one of the most important parts of Jesus’ life. It's where he performed the first mass with the consecrated host and he told his followers of a traitor amongst them. All of these Important thing depicted in one painting in a way that to me, seemed to say it all in the motionless painting by da Vinci. The Last Supper is in my opinion da Vinci's most beautiful painting out of the ones I've seen.…

    • 338 Words
    • 2 Pages
    Decent Essays
  • Improved Essays

    One’s sins and misdeeds will one day reemerge and one will be punished for the crimes committed. The Metropolitan Museum of Art further entails the breakdown of the three sections in the Last Judgement panel. The top right hand portion of The Last Judgement presents Christ as the supreme judge of the afterlife. By his side the Virgin Mary and John the Baptist are rewarded for their eternal faith in Christ. Christ also opens the doors to heaven for the saints and his followers as they stood loyal and humble by his side on his darkest day. The middle portion of the painting shows the Archangel Michael controlling the passageway and sending the unworthy to hell. This part of the piece conveys that there are two ways of death on the day of the last judgement, either by drowning in the sea or being burnt to the ground. The bottom right hand portion portrays all those who were unworthy and who tortured him on the day of his sacrifice to be sent into hell through the skeleton of death. In graphically clear image, Eyck displays the horrors hell contains. The people are torn and eaten in endless torture by an array of creatures. The panel of The Last Judgement also establishes hidden meanings and symbols within the painting. Firstly, the consubstantial ideology of the Father, Son, and Holy Spirit is also subtlety illustrated by connecting the heads of Christ, Virgin Mary and John the Baptist on the top right…

    • 1723 Words
    • 7 Pages
    Improved Essays
  • Great Essays

    The paintings exercise an intense and covert power over their audiences in a manner that evokes different feelings and perceptions. As such, it is not uncommon to find admirers and critics alike. The paintings are universally recognized and appreciated while at the same time, they continue to attract endless criticism and scrutiny. Caravaggio and da Vinci’s paintings exhibit salient gestures and expressive faces. The paintings are symbolic of the two spiritual Biblical moments that took place during Jesus’ life on earth. The two artists present the paintings in a classical manner that enables the audiences to relate to them by evoking their religious feelings. The paintings are symbolic of the Biblical transformations that took place at the…

    • 1478 Words
    • 6 Pages
    Great Essays
  • Superior Essays

    The dimensions of this project were 12 feet by 18 feet 8 inches. It was painted on a canvas with oil paints for the Church of San Giorgio Maggiore. This piece uses Tintoretto’s idea of having figures appear to be rotating around an axis point, seen in the wispy angels at the top of the canvas. Jesus’s disciples appear to be indifferent to him and take no notice of the ghostly angels above. The painting shows a dominant characteristic of Tintoretto’s, the recession of the table cutting the picture and creating an illusion of rapid spatial movement (Adams 374). This use of dramatic perspective was mixed with the unusual artistic device of the ‘exploding center’ (Murray et al 608). The focal point of this image, Jesus and his halo, appear as a sort of explosion in the receding calmness of the rest of the image. The painting is dominated by darkness, the lightest point being Jesus at the side of the food-filled table. He is accompanied by his disciples at the table, and by ordinary people at the right bottom corner. The scene takes place in a low ceilinged room with tiles on the floor, a fire lamp illuminating the image. The painting is mostly engulfed in darkness, with dramatic bright areas marking focal points of the image. Geometric arrangement is viewable in the small clustering of…

    • 1461 Words
    • 6 Pages
    Superior Essays

Related Topics