He believed he was freeing the human beings from their material trapping and would begin with the torso where most of their power reigns from. Michelangelo’s Awakening Slave, Young Slave and The Atlas are unfinished sculptures that are still intact to a block of marble. He believed the sculptor was a tool of God to reveal the powerful figures already contained in the marble and his only task was to chip away the excess. Michelangelo gave his figures motion and emotion, creating sculptures of simplistic beauty. In conclusion, Michelangelo incorporated Plato’s ideals of beauty into his sculptures by learning the anatomy of the human body to create proportionate figures and exactness in the motion of the body from standing to lying down on their side. Michelangelo achieved objectivity by choosing to portray human subjects and shape the soul from a block of marble. By freeing his subjects and sculpting the human body as a simple form, Michelangelo was able to achieve a classical sense of beauty. Michelangelo incorporated Plato’s ideals and presented beauty with
He believed he was freeing the human beings from their material trapping and would begin with the torso where most of their power reigns from. Michelangelo’s Awakening Slave, Young Slave and The Atlas are unfinished sculptures that are still intact to a block of marble. He believed the sculptor was a tool of God to reveal the powerful figures already contained in the marble and his only task was to chip away the excess. Michelangelo gave his figures motion and emotion, creating sculptures of simplistic beauty. In conclusion, Michelangelo incorporated Plato’s ideals of beauty into his sculptures by learning the anatomy of the human body to create proportionate figures and exactness in the motion of the body from standing to lying down on their side. Michelangelo achieved objectivity by choosing to portray human subjects and shape the soul from a block of marble. By freeing his subjects and sculpting the human body as a simple form, Michelangelo was able to achieve a classical sense of beauty. Michelangelo incorporated Plato’s ideals and presented beauty with