Humanism: The Statue Of David By Michelangelo

Improved Essays
The Middle Ages were a time dominated by the Catholic Church. Art and education revolved around the idea of faith. However, as people began to study the works of Greeks and Romans, the idea of humanism formed. Humanists believed that the human itself was more powerful and capable than any form of religion. People began to gain a more prominent interest in the natural world. Biology, engineering, mathematics, and astronomy became topics of study. As the ideas and beliefs of people began to change, so did the artwork. Pieces that used to be flat and unrealistic began to gain a third dimension, showing realism and perspective. Artists began to think of, see, and depict humans in their true forms, other than what the standard of beauty …show more content…
David is depicted standing naked and alone, without the presence of any fantasia or unrealistic object. Sculpting David in this way promotes the idea of the true human for being beautiful, a main idea of humanism. Even though David was sculpted at a height of seventeen feet, Michelangelo kept him proportional. This presents rationality, another key point to humanists. In addition, David’s facial expression shows exactly how Michelangelo wanted to depict him. Michelangelo is famous for created before his infamous fight with Goliath, instead of after when he is triumphant and victorious. In order to show that David was planning to intelligently, and not violently and brutally, fight Goliath, Michelangelo sculpted him with a concerned and pondering facial expression. Michelangelo used techniques of realism, for he depicted David with the true expressions that he was experiencing. Michelangelo used humanist ideas while sculpting David, for the sculpture was created in the true human form- a key idea of …show more content…
Michelangelo used multiple art techniques, such as shading and contrast, to create an affect that looked as if the ceiling had three dimensional pillars and decorative pieces built into it. It is a common misunderstanding that the ceiling originally had these three dimensional pieces in it. However, Michelangelo’s ability to paint with such skill created realism in The Ceiling of the Sistine Chapel. Realism, the idea of creating things to be true to their actual form, was shown throughout The Ceiling of the Sistine Chapel, for Michelangelo was able to paint objects to look three dimensional and

Related Documents

  • Improved Essays

    Renaissance Dbq Essay

    • 581 Words
    • 3 Pages

    The purpose of this paper is to explain how the Renaissance changed the views of the world. With the Renaissance, came more detailed art and people who cared more for symbolism and the true meanings of the artwork. As stated in Document A, “The clearest evidence of the break with medieval culture comes from the visual arts. ”(Document A) The author tries to portray that the paintings had very obvious differences.…

    • 581 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    His David stands at a height of thirteen feet 13ft, and is also accompanied with a large pedestal. It depicts David before he has begun his fight with the giant Goliath. It not only represents David’s story, but can be seen as also representing the city of Florence, where it was originally placed. In contrast, Bernini, of the Baroque period, created his David statue in 1623. His replica represented David in the midst of battle with Goliath, rather than prior.…

    • 826 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    Michelangelo’s Sistine Chapel ceiling was created using the technique called fresco. As stated by Frank (2014), fresco is a technique in which pigments suspended in water are applied to a damp lime-plaster surface (p.127). He created this beautiful art piece on a plaster ceiling using a wash technique to apply it inside a chapel located in Rome, Italy. When using this type of painting technique the paint and plaster become one in itself to make the painting become the actual wall not just on the surface. This makes the mural being made last for many years to…

    • 98 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    During the Renaissance period of the 14th to 17th century, art and architecture between Northern Europe and Italy were both similar and different in many ways. From the detailed work of everyday life of the North to the Neoplatonic allegories of Italian work, the Renaissance was a time of transition and strength. The most dominant similarity between Northern European and Italian Renaissance artwork lies behind the meaning of humanism. During the Renaissance, there was “rebirth of culture”; a shift towards people acknowledging human achievement. In religious pieces of art, Jesus was seen as less Godly and more human-like with emotion.…

    • 803 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Michelangelo was fascinated with human form and used the human body to express all he had to say. Sculpture during the High Renaissance was embodied by Michelangelo. The marble sculptures he crafted are impeccable, revealing his technical mastery. His David was unlike other Davids before him in that he is shown in a tense state before the battle. His face displays an uneasy expression as if he is caught in the middle of his choice to fight Goliath and the fight itself.…

    • 987 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    When David killed Goliath, it become a symbol of the city. Unlike Donatello’s david, Bernini’s version has a lighter style of armor to it. The subject of David was mostly only popular in the baroque era in Rome so that they could potentially compete against renaissance artists. In the baroque era, artists typically only present David in two different ways. Bernini’ s creation has a classical and idealized feel to it but Caravaggio painting is more gritty and lack of detail.…

    • 758 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    Both Michelangelo and Bernini’s David are unique in not only their representations of the eras in which they were sculpted, but also in how the influential eras that came before them played a role in creating them— and how those sculptures will go on to do the same for future artists. Michelangelo’s David, sculpted in 1501-04, is one of the most iconic pieces of the Renaissance, as it best embodies the classical Greek inspirations that defined the Renaissance as an art movement. Though Gianlorenzo Bernini’s David, created in 1623, was sculpted partially as a response to Michelangelo’s, it more accurately illustrates the characteristics that made baroque era of art so distinctive. Michelangelo’s David, depicts David before his attack on the…

    • 690 Words
    • 3 Pages
    Improved Essays
  • Improved Essays

    Donatello’s art of David created around 1440, shows the result of when David defeated Goliath with the stone he struck him with. Michelangelo’s piece was created during…

    • 903 Words
    • 4 Pages
    Improved Essays
  • Decent Essays

    High school is no easy feat; especially when you miss the first month of school to eat abstract pizza and look at naked sculptures in Italy. Specifically, Michelangelo's statue of David. The first time that I had ever heard of David was in Sunday School. He was a kid with more bravery and willpower than anyone in Israel--even the king. For the Israelites, Goliath--standing at nine feet tall--was viewed as a frightening man that no one wanted to go up against.…

    • 125 Words
    • 1 Pages
    Decent Essays
  • Improved Essays

    Artists usually focus on the alteration of appearance in figures rather than meaning (“Mannerism”). Michelangelo influenced mannerism because of his style of contorting figures and breaking the rules of classical art. Also his fame would give other artists and additional inspiration to imitate his…

    • 2189 Words
    • 9 Pages
    Improved Essays
  • Superior Essays

    Select ONE work of art that has not appeared in the course lectures or tutorials, and discuss it from THREE different methodological perspectives. Different methodological perspectives enable further examination of David with the head of Goliath (1573-1610), painting made by Italian painter Michelangelo Merisi da Caravaggio (1571-1610). David with the head of Goliath can be evaluated using biographically-based art history on the life and work of Caravaggio, providing a detailed exposition of the life of the artist, closely linked by his contemporaries to his style and aesthetics. Social constructs are significant in the analysis of the piece, employing Marxist theory in David with the head of Goliath, point out important aspects of the17th…

    • 1288 Words
    • 6 Pages
    Superior Essays
  • Improved Essays

    The Renaissance was a period of advancement in various subjects. It was a time of great intellectual inquiry into all the branches of learning and fields of study. Philosophers, scientists, mathematicians, and artists began to examine the world around them with a stronger and deeper want and need for understanding the universe in which they lived. These students of the world around them also showed a greater interest in the role of humanity within this boundless universe. From this there is an obvious shift in the style and subject matter within the area of the arts.…

    • 1011 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    While one hand grasped the sword used to slay the giant, the other rested casually upon his hip, a common stance of female statues of the time. Likewise, while one foot was placed on the severed head of Goliath, the other was caressed by the feather of a helmet and pointed suggestively up his leg to his groin. Though David was usually depicted as a king, in this piece of artwork Donatello went back to an earlier stage of David’s life.…

    • 1201 Words
    • 5 Pages
    Improved Essays
  • Superior Essays

    They both depict David as nude and in contrapposto pose. And both were symbols of Florence. Although, there are more difference between them like the age of David. As well as that Donatello’s Goliath symbolized Milan and Michelangelo’s Goliath symbolized the Medici. I prefer Michelangelo’s David over Donatello’s because of the strength and power it symbolizes.…

    • 1152 Words
    • 5 Pages
    Superior Essays
  • Improved Essays

    The statue of David has inspired many renowned artists throughout art history maintaining the continuity of the story of David and Goliath. Four of such artists are Donatello, Verrocchio, and Michelangelo during the Renaissance period; and Bernini in the Baroque period. Each transformation of David is rendered in a distinctly different sculpture of the same subject reflecting each of the artist’s own style and time period in comparison. The inspiration of the subject matter is David; the courageous young Shepard who slew the giant Goliath with only a stone against insurmountable odds.…

    • 1216 Words
    • 5 Pages
    Improved Essays