The feature that me and my partner produced was on stained glass windows. We decided on this idea as it interested both of us and through research we found an award winning stained glass company within west Yorkshire. We decided during production we wanted to introduce the show within a place that was well known for having stained glass.
This led us to introduce the show within a church which had a rich stained glass heritage, as well as a church warden who knew the history of the stained glass the church had accumulated throughout its time.
The interview set up within the church took place within the pews. This however was not ideal as there was no stained glass within the frame. The interview did look a little lost. However, this was unavoidable due to the low lighting within the church. If we had set the interview up with a window behind this would have caused high or low exposure to the window or interviewee. Due to our feature …show more content…
his would mean the shots had no movement, and also make the GVs look like photographs. So during filming we decided to get pan, focus and zoom GVs. This way we added movement to our GVs which would look more appealing to the audience, and allowed us to show the details of the stained glass.
Whilst taking the pan and zoom GVs we made sure that we started and finished on a still shot so that during editing the sequences did not jump and flowed smoothly. However, we did know that not all the GVs we took could be pans and zooms, so we did have many still GVs within the feature. To avoid them looking static we decided to have 3-4 stills that were 3- 4 seconds long and we added in fades to give them the illusion of movement.
The music we used within our feature was from a royalty free music sight and was under the creative commons licence. We did still credit the music, and fill out a copy right
This led us to introduce the show within a church which had a rich stained glass heritage, as well as a church warden who knew the history of the stained glass the church had accumulated throughout its time.
The interview set up within the church took place within the pews. This however was not ideal as there was no stained glass within the frame. The interview did look a little lost. However, this was unavoidable due to the low lighting within the church. If we had set the interview up with a window behind this would have caused high or low exposure to the window or interviewee. Due to our feature …show more content…
his would mean the shots had no movement, and also make the GVs look like photographs. So during filming we decided to get pan, focus and zoom GVs. This way we added movement to our GVs which would look more appealing to the audience, and allowed us to show the details of the stained glass.
Whilst taking the pan and zoom GVs we made sure that we started and finished on a still shot so that during editing the sequences did not jump and flowed smoothly. However, we did know that not all the GVs we took could be pans and zooms, so we did have many still GVs within the feature. To avoid them looking static we decided to have 3-4 stills that were 3- 4 seconds long and we added in fades to give them the illusion of movement.
The music we used within our feature was from a royalty free music sight and was under the creative commons licence. We did still credit the music, and fill out a copy right