Stand there, right in front of the painting; what do you see? Look closely, very closely and see the paint on the canvas flow through each brush stroke, see the colors expand and blur, and see how the lights play off the soft, vibrant colors. Watch the swirls expand out into an infinite space in time . The paint flies beyond the canvas and the shadows and reflections blur into one. The pinks, blues, reds, yellows, oranges, purples, and browns blend together to create a symphony of colors.…
The rise of popularity in Bare-knuckle prize fighting mirrored the complications, contradictions, and swift changes in society of 19th century United States, as Elliot Gorn interprets in his monograph The Manly Art: Bare-Knuckle Prize Fighting in America. Despite the fact that prize fighting was never actually legalized, its popularity continued to grow from its introduction to America- as a result of Irish immigrants- and resulted in being one of the most popular sports throughout the nineteenth century, especially among working class males. Bare-knuckle prize fighting was not just a simple battle between two men, the fighting symbolized honor, class, and prowess. Although prize fighting tended to glorify violence in society, its cultural and social significance can not go unnoticed.…
Does a shark belong in a glass and steel fortified box? Better yet, dead, suspended in formaldehyde, in an art gallery , in a glass and steel fortified box? I ask myself this question while I read Terry Tempest Williams “A Shark in the mind of one contemplating wilderness” I try to comprehend what Damien Hirst is trying to evoke from the eyes and minds viewing his “sculpture” titled “the physical impossibility of death in the mind of someone living” (williams 570). Hirst states “I like ideas of trying to understand the world by taking things out of the world. ”(williams 570).…
Farrer contributed to The American Water Color Society exhibits for thirty-seven years. Farrer's watercolor paintings have been used as an instrument measuring the positives and negatives of the American watercolor movement. His brother Thomas Farrer, and the Pre-Raphaelites Association influenced Henry Farrer’s earlier work. The intensity of Henry’s landscape paintings were shown in his earlier watercolor landscapes, such as Winter Scene in Moonlight.…
For my third museum visit I went to the museum of fine arts in St. Petersburg on the 21st of April. This museum had everything from classical antiquity sculptures to contemporary abstract art. The piece that I am going to discuss in detail is titled Encroachment and was painted by Jay Hall Connaway. When first looking at this oil painting, aspects of the scenery stand out most.…
Indeed the discipline is self evident in the painstaking details of the lines in his landscape painting, Levee…
Meghan Conn Mr. Groom AP Literature 06 April 2017 Word Count: To Paint a Water Lily AP Free- Response Throughout To Paint a Water Lily by Ted Hughes, There is an abundance of personification of the nature that helps describe the nature as beautiful and solemn at the same time, depending on it’s location.…
In his lifetime, he had visited Switzerland, London, and Italy three times. It was there in Italy, where he became a constituent of a circle of painters, including Théodore Caruelle d'Aligny, Édouard Bertin, and François Antoine Léon Fleury (Waters) These were all landscape painters that influenced Corot's style in his own landscape paintings making him a more successful artist. His success is articulated by his, "painted scenes with which his audience was most familiar with, " and " simple they may seem, but they are really simple only because his genius was in harmony with them" (Waters). As a result, his landscapes are softer than the traditional classical style which leads various historians into thinking he is "precursor of Impressionism, the inventor of sunlit landscapes untroubled by anecdote or meaningful incident" (Mark Harden's Artchive).…
The general conception of visual realism that I believe best suits Vermeer’s The Concert and The Music Lesson and Bierstadt’s Yosemite Valley, would be the use of pictorial depth cues to portray visual realism. Both painters used pictorial depth cues to create a strong sense of visual realism that helped draw fascination into their paintings. Without the use of the pictorial depth cues, the paintings would not have appeared as if they were realistic and definitely would not have been questioned if they were creating an illusion. Personally, I believe that the pictorial cues that helped Vermeer the most with creating a sense of visual realism in both The Concert and The Music Lesson were linear perspective and size perspective.…
The poems I have selected for this poster is the poem ‘My Country’ by Dorothea Mackellar, and ‘Waratah and Wattle’ by Henry Lawson. Both of these poems have the theme of the individual poet expressing their ideas and thoughts about Australia’s beautiful landscape and plants. So, for this reason I decided to have a rough outline of Australia, along with it being cut around the outline in the shape of Australia. Another main feature of this poster is the red love heart placed in the centre of the poster. This is because in the poem ‘My Country’, Dorothea Mackellar expresses her feelings of Australia as the “Core of my heart, my country!”, and then she goes on to expresses her love for both Australia’s beautiful landscapes and its harsh seasons and weather.…
The watercolors John White painted show the Indians doing everyday things. Often when people think of Indians they think of feathers, face paint, and war. This of course being a stereotype, still plays into our views. Another interesting thing is most of the faces appear to be pleasant not hard and angry. It is also very interesting how he paints some in motion.…
J.M.W Turner has a dreamy style to his art because he experiments with space, brushwork, color, and light to make his work look muted and hazy. Over the course of his career, Turner used hard brushstrokes and blended the colors in his skies. This makes the art look foggier and less defined. The composition of his landscapes usually involves one figure at the center of the painting (a boat, mountain, tree, etc.) and a figure that is smaller, darker, and seems closer to the viewer (birds, humans.) By adjusting the proportions, Turner is able to distort the viewer's perception of space.…
Persephone ((The story of Persephone is quite commonly known of Greek mythology. Yet, it can be argued that as more and more editions of the story were told, the original was quite different. Whilst the tale told is of a young girl kidnapped by Hades and tricked into staying with him, another lesser known version tells the story of a young woman who sought adventure and chose to visit and then stay with the Lord of the Underworld. This version, deserves to be told. With a new setting to reflect such a brave, courageous girl, the idea of an Australian retelling of Persephone came to mind))…
Throughout this course I have gained more of an appreciation for artwork and the artists that create them. I have also gained an appreciation for the people that try to define what art is in general or more specifically what makes good art. We have read great thinkers and their philosophies on this, and the fact that even people of such great intelligence can disagree on the subject proves how challenging it can be. By reading the opinions of these great thinkers, and by discussing their thought with our class, I feel I am in a much better place as to define what makes good art myself. I define art as anything created by someone that inspires another to appreciation.…
Texts are deliberately crafted by composers in response to their contexts, either political, historical or cultural, composers develop their desire to construct their personal representation of the landscape to allow responders to perceive the nature in ways they do. The representation between landscape and poet is portrayed in, the romanticised poem, “Train Journey” by Judith Wright, the post colonisation poem, “Flame Tree in a Quarry” by Judith Wright and the outback painting of the effects of post European Colonisation, “Emus in a Landscape” by Russell Drysdale. These three texts convey the importance of a beneficial relationship between man and nature as a means of gaining a positive perception on the beauties of nature. Furthermore,…