In the medieval, painting was just using in churches and chapels to ornament the structure. They were constituted with strict rules and in a formalistic way, impastoes were generally preferred. Figures were drawed in symbolic manners without inspiring by real people. The backgrounds were widely
In the medieval, painting was just using in churches and chapels to ornament the structure. They were constituted with strict rules and in a formalistic way, impastoes were generally preferred. Figures were drawed in symbolic manners without inspiring by real people. The backgrounds were widely