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Analysis Of The Imagery On The Concept Of Alienation In TV Chandran Films

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Objectives of the Study
In this study titled ‘The Imagery on the Concept of Alienation in TV Chandran Films: A Semiological Enquiry’, a list of recurrent features –with even thematic continuities –even with porous, dissolving identity of his protagonists of various films, are put under scanner to delineate the commonness positioned by the ‘auteur’ in T V Chandran. The point on this occasion is not to choose between these opposing readings in various narrative texts, but to recognize how an author based approach in T V Chandran’s work may go beyond exalting its maker or cataloguing the formal and thematic continuities of the filmmaker’s works that has become heavily energized by real-world implications around him.

General Objectives
TV Chandran films have strong undercurrent of history, politics and feminism, and focus on the alienation of the marginalized class in the form of a parallel history. Researcher likes to explore the imagery of this concept of alienation in his films. …show more content…
Chandran’s films by studying the following, which can be termed specific objectives of the

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