Analysis Of Bene Vierian's An Open Letter To Tyler Perry

Superior Essays
Bene Viera’s “An Open Letter to Tyler Perry” was a response to Tyler Perry’s different works as an artist but his personal response, his latest letter to his fans “Kim Kardashian in Marriage Counselor” Her evidently strong beliefs that Tyler Perry only portrays the women in his films in certain ways is the divine influence beneath her motives in writing this letter, which allow her to present her refutes. In this letter, Viera commits numerous divergent fallacies in which they ineffectively benefit her assertions towards Tyler Perry. While appealing to the readers emotions, ethics and logics, Viera erroneously weakens her argument throughout her open letter . In response to Tyler Perry’s numerous films, Ms. Viera attempts to appeal to the audience by beginning to congratulate Tyler Perry on his success but in doing so she inadvertently commits a fallacy. “Let me begin by congratulating you on your massive success. It is truly commendable to overcome the obstacles you have- molestation, poverty, abuse, and homelessness- to becoming the highest paid man in entertainment.” (1) Viera ineffectively appeals to the reader and commits an ad hominem fallacy. Although she compliments Tyler Perry, she immediately makes an effort on attacking Tyler Perry’s credibility as an artist. Precisely this type of claim she establishes and incorporates in her open letter unquestionably weakens her argument by including irrelevant information. She moderately adjudicates him and paints this negative picture of Tyler Perry for the audience in attempts of strengthening her argument, but it backfires. Not only does she commit and ad hominem fallacy, but there is evidence of other ethical ones as well. Claiming she is a media critic and journalist, with lack of evidence and support, her argument is weakened. Viera’s ethical fallacy of false authority is described in detail: “I write this letter as a black woman, journalist and media critic. I have had countless debates with intellectuals about the quality of your work and whether or not your depictions of the black community are damaging. In those conversations I’ve often played devil’s advocate arguing both sides of the debate. ” Stating that she’s had countless debates with intellectuals on the quality of his work does not mean she or her unknown “intellectuals” are sufficient authority to warrant a belief, that his depictions of the black community are damaging. Mentioning that she’s playing devil’s advocate and arguing both sides of the debate demonstrates to the reader that she does not have a clear sense in her decisions therefore hurting her argument. Committing a false authority in the beginning of her letter can throws the reader off by demonstrating that she’s right because she says she’s right. She’s saying to the reader that they should pay serious attention to claims supported by herself and her group of anonymous intellectuals simply because she’s bringing attention to her concern. Viera does not only rely on this type of fallacy to make her argument, but she also appeals to logical ones. Making claims about Hollywood does not necessarily guarantee truth. She describes on page one; “For whatever reasons the non-black executives calling the …show more content…
You certainly have the right to cast whomever you think can play the part. I also understand this to be a great business move. You and I know that Kim Kardashian’s role, no matter how big or small, will ultimately get her fans in the theater seats, which equals more money in your bank account.
By implying Tyler Perry main reason to have casted Kim Kardashian to be in his film because it would make him more money is great example of her casual use of a faulty fallacy. She’s giving the reader this false sense of Tyler Perry’s choices. Her choice in deciding to mention this give this bogus idea that the action taken to cast Kim Kardashian was the cause of a second event, his large box office revenue. Although, some actions do produce reactions, it’s a tough call to blame the casting of an individual as the essential basis of his revenue. This supposed connection between the cause and effect is completely erroneous and it’s disadvantageous in her attempts to effectively persuade the audience of her argument. In addition to committing this type of logical fallacy, Viera effectively executes a type of emotional

Related Documents

  • Improved Essays

    Awareness of his audience and diction choices clearly reflect his capability to write about the subject. Altogether this essay is very effective at making the reader aware of the impact society has on celebrities in…

    • 771 Words
    • 4 Pages
    Improved Essays
  • Great Essays

    The 1990s were arguably the best time for Romantic Comedies and also the birth era of the popular “chick-flick.” The ‘90s brought us directors like Gary Marshall and Nora Ephron whose feel good films left our hearts warm and stars like Julia Roberts with her clumsy relatability and Richard Grere with his suave demeanor. The ‘90s also brought Kathy Maio, feminist film critic. Maio’s 1991 book Popcorn and Sexual Politics is a collection of analysis of popular ‘90s films—especially Romantic Comedies. Popcorn and Sexual Politics aims to examine the role and portrayal of women on screen.…

    • 1549 Words
    • 7 Pages
    Great Essays
  • Improved Essays

    An idealistic lifestyle has a wide variety of definitions, but for many, that involves being perpetually surrounded by models in minimal clothing. Hugh Hefner is the ‘perfect’ ladies man— an individual flocked by women living in an extravagant home. While some believe Hefner’s lifestyle is the pure manifestation of heaven, others see his unprecedented behavior as absolutely sickening. In Ross Douthat’s, “Speaking Ill of Hugh Hefner” he is thoroughly described as a repulsive human-being. Douthat uses persuasive prose in order to create an accurate image of the “grotesque” life Hefner chose to lead.…

    • 1224 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Mindy Kaling in her personal narrative, “Types of Women in Romantic Comedies who are not Real,” criticizes the movie industry in a humorous way. Kaling uses her love and extensive knowledge of Romantic Comedies to begin to expose the unrealistic images of women that Hollywood immortalizes. She provides extensive details throughout her essay to prove her overall point. Kaling applies allusions, segmented organization, and sarcasm to prove the improbability of these women in real life. Mindy Kaling frequently incorporates allusions in her essay.…

    • 701 Words
    • 3 Pages
    Improved Essays
  • Superior Essays

    Sexual orientation and gender are controversial when applied to pop-culture and reality. Under these assumptions is when Hollywood plays a role in movies and shows to show superiority or inferiority among a group of people. Omi quotes, “White men could seduce racial minority women, but white women were not to be linked to minority men,” (545). The struggle of class in society deeply affects the idea given as who is superior and whether race defines a person as whom they are. Gender in pop-culture is controversial because it is shown stereotypically in a set of class.…

    • 1669 Words
    • 7 Pages
    Superior Essays
  • Improved Essays

    Historically, America has been predisposed towards racism against African-Americans. However, Americans, for the past century, have effectively ignored the issues with race that the American society still faces in the criminal justice system. In his TED Talk entitled “We need to talk about an injustice,” Bryan Stevenson addresses the issues with the American criminal justice system by detailing the problems and showing the important role the citizens of American can play. Although the topic is a serious one, Stevenson discusses the issues with elegance and carefulness and is able to effectively persuade his audience. Before delving into the information that Stevenson provides in his speech, it is essential to evaluate the setting that Stevenson…

    • 940 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    In Janes Gaines’s, White Privilege and Looking Relations: Race and Gender in Feminist Film Theory, Gaines wanted to show how a theory of the text and its spectator, based on the psychoanalytic concept of sexual difference, is unequipped to deal with a film which is about racial difference and sexuality. “The Diana Ross star vehicle Mahogany (directed by Berry Gordy, 1975) immediately suggests a psychoanalytic approach because the narrative is organized around the connections between voyeurism and photographic acts, because it exemplifies the classical cinema which has been so fully theorized in Lacanian terms” (Gaines, 12). But as Gaines argued, the psychoanalytic model works to block out considerations which assume a different configuration…

    • 929 Words
    • 4 Pages
    Improved Essays
  • Superior Essays

    Sexism In Ghostbusters

    • 1627 Words
    • 7 Pages

    Is Ghostbusters (2016) a racist, sexist movie? While researching the topic of social responsibilities of popular culture creators, I found the ongoing backlash against the rebooted movie Ghostbusters (2016) a vivid example. Long before the official Ghostbusters trailers were released, controversies against its casting, storytelling and production had already been heated on social media. Bringing together two sources in this essay, an review article by John Nolte and the official poster of Ghostbusters (2016), I will present one example of society’s concerns about the movie’s sexism and racism through analyzing rhetorical strategies used in the two sources and how the images presented in the poster was interpreted and responded by Nolte.…

    • 1627 Words
    • 7 Pages
    Superior Essays
  • Superior Essays

    Why is unplanned pregnancy a thing? Why is abortion so wrong in this world or country today? These are unexplainable questions, split on the issue of abortion, some believe in abortion and see nothing wrong with it ,but others hate abortion and see it as taking away from God’s power and basing their campaigns against it as an “act of God” to bring life within you and give you the chance to be a mother but what if they aren’t financially stable enough? Or it just isn’t the right time for a child or another mouth to feed? There are many pros and cons that support both sides.…

    • 1732 Words
    • 7 Pages
    Superior Essays
  • Improved Essays

    Melissa Avdeeff’s essay “Beyonce and Social Media: Authenticity and the Presentation of Self is about how celebrities or musicians create their public private persona through the use of visual aids. Ms. Avdeeff explains that scholars who study the current popular culture, especially in the music or entertainment industry view the digital social media and what is “authenticity”. Beyonce and others like her use social media to reveal specific visual images in order to control how her fans view their public private selves and give an altered view such as being glamorous which might not be quite accurate. Social media and fandom is an expanding area of research the use of person is very common.…

    • 818 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    “Commentary” Response “Commentary” is an article written and presented by Ben Stein, a comedian who doubles as a political and cultural activist. This article was written specifically to discuss the issues in today’s Western culture concerning religion and the way it is perceived by the general population. Stein seeks to defend religion in the face of an endless torrent of unacceptance and blame from society, and tries his best to convey his message for change to the audience. Ever since the beginning of recorded history, humans have shown a natural instinct to learn. Our very nature dictates that our curiosity must always be satisfied, and that for every answered question two more must rise to take its place.…

    • 1381 Words
    • 6 Pages
    Improved Essays
  • Improved Essays

    Hollywood: Truly a Land of Opportunity? From white actors portraying black men in classics, such as Othello, or even from white actress playing dark skinned women, such as Mariane Pearl, white actors portraying people of color in american films has been a tradition in Hollywood. Hollywood has historically made the decision to cast white actors instead of letting minorities play their own roles. While Hollywood is known for being a white industry, over the past years more noise, such as the hashtag #OscarsSoWhite (8), has been made about the lack of diversity in their films.…

    • 767 Words
    • 4 Pages
    Improved Essays
  • Improved Essays

    However, Beyonce announced that she was pregnant with a husband and she immediately became ‘respectable’. There is only the ‘right’ way for women and if it doesn’t fall inside of traditional, heterosexual and patriarchal model created by white people than the woman is ‘wrong’. Black women in the entertainment and production industry have to convince the white…

    • 1031 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Fey's Bossypants Analysis

    • 1047 Words
    • 5 Pages

    “Feyminism:” A New Standard of Feminism for a Nonstandard World Move over, Madonna: feminism has a new poster girl, and her name is Tina Fey! In a time where feminism has been corrupted by the patriarchy into the work of “feminazis,” Fey’s Bossypants proves that feminism is still a rational struggle for equality. Throughout the text, Fey describes obstacles against femininity in her life; readers learn of her struggles grasping womanhood, the subtle sexism on the Chicago comedy circuit, and the struggles with her foray into television via Saturday Night Live and 30 Rock. Unlike most celebrity works, Bossypants is not one of overwhelming fame and glamour; between tales of celebrity mishaps, Fey intersperses her thoughts on standards of beauty, dieting, and the all-too-frequently asked question of having children. The key differences between Madonna’s feminism and Fey’s…

    • 1047 Words
    • 5 Pages
    Improved Essays
  • Improved Essays

    Classic celebrity studies focus on how the dualism between onscreen/offscreen film stars creates a paradox of ordinariness/extraordinariness that engages the audience. While classical film stars are perceived as distant and enigmatic, the television rhetoric of intimacy and familiarity and the domestic context of their reception fosters a closer identification between the ‘celebrity personae’ and their role, giving the impression that TV stars are just being ‘themselves’ (Bennett & Holmes, 2010). Reality TV, ghosted autobiographies, and confessional journalism are sites where a celebrity publicly performs her intimate self with the aim of creating an intimacy with her audience (Nunn & Biressi, 2010). In Web 2.0 there are new sites where celebrities…

    • 342 Words
    • 2 Pages
    Improved Essays