Kopper Jr., who’s a part of the Department of English at Slippery Rock University in Pennsylvania, as well as the author of Lady Gregory’s autobiography, Lady Isabella Persse Gregory. His analysis of the one-act play consists of a mixture of the anticolonialism in Irish history as well as the characteristic of the Irishmen, “Lady Gregory is not primarily interested in extolling the escape of a convict, however much of a picaro he might have been. Rather, she is presenting on the stage the overriding sense of Irish hospitality, seen here in the sergeant’s residual goodness and love for a fellow Irishman: no true Western Islander would ever turn away a fugitive from the British establishment. . .” (Kopper). In his analysis, he mentions how Lady Gregory connects a real Irish nationalist with the criminal in the play, who uses the name Jimmy Walshe as a cover. The real Jimmy Walshe was a convicted criminal on the run from the British government similar to the man in the play. However he used the alias James Lynchehaun and escaped to America. This is an example of the detail and attention to history she puts into her plays, even the small ones. Lady Gregory helped founded the Irish Literary Theater with William Butler Yeats, which focused on the rise of the Irish national movement. Later on it became known as the Abbey Theatre. She was also deeply involved in the fight for Irish independence from Britain. Taking her background into consideration, readers can understand her prominent theme of Irish history in the majority her literary work. Historical perspectives can help shed light on the reasoning behind a work of literature. Furthermore, a history background in literature gives it a chance to live on for generations upon generations for those who read
Kopper Jr., who’s a part of the Department of English at Slippery Rock University in Pennsylvania, as well as the author of Lady Gregory’s autobiography, Lady Isabella Persse Gregory. His analysis of the one-act play consists of a mixture of the anticolonialism in Irish history as well as the characteristic of the Irishmen, “Lady Gregory is not primarily interested in extolling the escape of a convict, however much of a picaro he might have been. Rather, she is presenting on the stage the overriding sense of Irish hospitality, seen here in the sergeant’s residual goodness and love for a fellow Irishman: no true Western Islander would ever turn away a fugitive from the British establishment. . .” (Kopper). In his analysis, he mentions how Lady Gregory connects a real Irish nationalist with the criminal in the play, who uses the name Jimmy Walshe as a cover. The real Jimmy Walshe was a convicted criminal on the run from the British government similar to the man in the play. However he used the alias James Lynchehaun and escaped to America. This is an example of the detail and attention to history she puts into her plays, even the small ones. Lady Gregory helped founded the Irish Literary Theater with William Butler Yeats, which focused on the rise of the Irish national movement. Later on it became known as the Abbey Theatre. She was also deeply involved in the fight for Irish independence from Britain. Taking her background into consideration, readers can understand her prominent theme of Irish history in the majority her literary work. Historical perspectives can help shed light on the reasoning behind a work of literature. Furthermore, a history background in literature gives it a chance to live on for generations upon generations for those who read