But he ended up in a Catholic high school and thought he wanted to become a priest up until he „stumbled upon the film department“ (Scorsese and Brunette, 5) at the NYU. This was something that changed his life and changed his view towards Catholicism. „Scorsese explains a critical element in his own work, and offers an insight into the mystical gaze. ‘I don’t really see a conflict between the church and the movies, the sacred and the profane … I believe there’s spirituality in films, even if it’s not one which can supplant faith … It’s as if movies answer an ancient quest for the common unconscious.“ (Leonard, 99). He, just like his characters, culturally belonged or wanted to belong to a certain group of people that never managed to fit into their „natural“ surrounding, or they can see further in comparison to their community. According to Shadoian, what changed the modern gangster film is
But he ended up in a Catholic high school and thought he wanted to become a priest up until he „stumbled upon the film department“ (Scorsese and Brunette, 5) at the NYU. This was something that changed his life and changed his view towards Catholicism. „Scorsese explains a critical element in his own work, and offers an insight into the mystical gaze. ‘I don’t really see a conflict between the church and the movies, the sacred and the profane … I believe there’s spirituality in films, even if it’s not one which can supplant faith … It’s as if movies answer an ancient quest for the common unconscious.“ (Leonard, 99). He, just like his characters, culturally belonged or wanted to belong to a certain group of people that never managed to fit into their „natural“ surrounding, or they can see further in comparison to their community. According to Shadoian, what changed the modern gangster film is