(4).” In Dracula, they over sexualized the females. "I was bewildered, and strangely enough, I did not want to hinder him. I suppose it is part of the horrible curse that this happens when his touch is on his victim."(342) According to Podonsky, when Dracula was published it was all about sex, lust and evil.…
While Lucy and Mina could in some form or another be considered examples of the ideal Victorian women, Dracula’s wives are in fact the complete opposite. It is through these women, that Stoker makes his strongest case for the breakdown of stereotyped gender roles and expectations of women. Dracula's wives are everything that a Victorian era woman should not be: sexualized, not submissive, or lacking motherly qualities. One of the early encounters Jonathan Hawker has with the wives includes his desire that he felt in his “heart a wicked, burning desire that they would kiss [him] with those lips” (Stoker 32) in the Victorian era, it would have been unheard of for a women to have such a flirtatious power over men, seeing as they were not to be sexualized. Shortly following this incident, Dracula attempts to reprimand the women, but they make it clear that Dracula's words had no effect on them.…
Notice that you seldom hear of any sexual acts from her. With that in mind, lets recall the scene where she is forced to suck the blood of Dracula and vice versa. I believe this scene was to show the evils of not staying in traditional gender roles. Note the passage located in chapter 21, where it says “forcing her face down on his bosom. Her white nightdress was smeared with blood, and a thin stream trickled down the man's bare chest which was shown by his torn-open dress.…
Come, my husband come!” (Stoker 227). Lucy who once loved Arthur as her fiance is now attempting to strip the virility out of him. Through Lucy being unable to forgo her lustful aspiration, we can see how much she has been negatively affected from the ideals of the New Woman and has forgotten everything about what makes a true Victorian Era Woman. The Brides of Dracula similar to Lucy are a sexual object for Dracula, as they are nothing more than being described as being twisted and over sexual, “All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips.…
Vampires come in many different shapes and sizes from F.Marion Crawford’s For the Blood is the Life to Bram Stoker’s Dracula. Even though there are characteristics that change from tale to tale there are many that are the same. Vampires no matter what story you hear, they are dark, malevolent creatures out for “blood”. They want to take control of their victims to make them weak and helpless so they will follow them and do all their biddings.…
The female characters in Dracula symbolize the changing and traditional roles of women, as previously mentioned above;…
In all the vampire lore that we have read two major factors determine a characters worth: the publishing date of the piece and gender. Gender plays an immensely important role, especially when women become involved. In early tales of the vampire women did struggle a little, but had more utility than women in later stories. These four stories exemplify this transition: Lilith, Philostratus, Christabel, and Varney the Vampire. The female gender in vampire lore, when compared to their male counterparts, loses all strength and utility.…
In Bram Stoker’s, Dracula, we see the New Woman first being introduced to the reader by the three women that Jonathan Harken encounters in Count Dracula’s castle. Mina and Lucy are a representation of the good, traditional Victorian women in comparison to those three women. In her article "Bram Stoker 's Dracula and Late-Victorian Advertising Tactics: Earnest Men, Virtuous Ladies, and Porn", Tanya Pikula argues that “Dracula not only functions as a ‘kind of ‘test-bed’ for competing arguments and sensibilities,’ but it reflects the ways in which its society’s ambivalent responses to consumerism and advertising were repeatedly elaborated through models of femininity and female sexuality”. I strongly disagree with because I do no think that the…
From blood transfusions to fangs Dracula has all the innuendos you can get. The book Dracula speaks about romantic topics that at that time were greatly frowned upon and considered controversial. 1790s was a whole new type of world, the world finally understood the human minds and they could differentiate between normalcy and deviance. Women were expected to be “pure”, they shouldn’t have had any sexual intercourse or they were to be married, be a…
Vampires now are viewed as the embodiment of the “Bad Boy” archetype and is thus sexualized. Vampires used to be thought of as ancient, ghoulish men who prey on young, virgin women, but it’s the symbolism is what makes vampires so monstrous. Thomas C. Foster elaborates on the concepts vampires epitomize. He states, “But it’s also about things other than literal vampirism: selfishness, exploitation, a refusal to respect the autonomy of other people for starters” (Foster 12). Vampires are the selfish because they desire to live forever.…
Bram stocker’s dracula Bram Stoker’s Dracula is an American made film, genre was a romantic horror film that was made in 1992 by director and producer Francis Ford Copppola. The movie is based on the novel Dracula by the author Bram Stoker. the lead characters in the movie Dracula is Gary oldman as Count Dracula, Winona Ryder as Mina Harker, Anthony Hopkins as Professor Abraham Van Helsing and the actor Keanu Reeves as Jonathan Harker. some of the less known characters are Richard E. Grant as Dr. Jack Seward,Cary Elwes as Sir Arthur Holmwood,Billy Campbell as Quincey P. Morris,Sadie Frost as Lucy Westenra and Tom Waits as Mr. R. M. Renfield.…
Even Dracula – a masculine figure who has a “history of leadership and violence” (Foster 488) appears to symbolize both a mother and a child. At one point in the novel, Dracula feeds Mina blood from his own breast. “... His right hand gripped her by the back of the neck, forcing her face down on his bosom” (Stoker 283). This passage clearly mimics that of the breastfeeding of a child.…
“A strong woman who recklessly throws away her strength, she is worse than a weak woman who has never had any strength to throw away”- Thomas Hardy. Dracula, by Bram Stoker was written during the late nineteenth century, and is classified as a horror film. Further analysis however, has brought to light the buried symbols and themes of sexuality that the novel holds within it. Mina and Lucy are very significant to the novel as they are the only female characters, and they are both given very different characteristics, Mina is the ideal Victorian woman, and Lucy is a rebel to society, which leads her to fall under Dracula’s spell. Bram Stoker makes it very clear that the two represent Victorian women, though what makes Mina the ideal one?…
Dracula – Lucy’s case An old saying goes like this: Opposites attract each other. Often it refers to two completely different people finding each other falling in love. In this context, it refers to the main theme of the Bram Stokers novel Dracula from the late 19th century. Love, lust and horror frame the world-known book Dracula, which is about the evil Count Dracula travelling his way to London, England, turning young, beautiful women into vampires and allure them back to Transylvania in the now-existing Romania.…
The perspectives on the living conditions and the environment were very contrasting. These are two very different views of the character archetype, vampires. Dracula is made out to be a ‘predator’ and preys on humans. Dracula is described as “tall old man, clean shaven save…